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MY OCEAN

In a long, introspective letter to the sea that surrounds his island, a Cuban lad reflects on his inner and outer lives. Feeling sometimes as if everyone is leaving for “El Norte,” 12-year-old Enrique notes the steady departures of relatives and acquaintances against a backdrop of school days, family visits and walks along the beach. The prose is often lyrical; on the relationship between his country and the United States, for instance, he writes: “There’s so much distance between us. So much forgetting, so many good-byes. So much silence because of words never said. So many tears never cried and laughter never heard.” On the other hand, because he relates everything from expressions of his growing sense of isolation to multiple encounters with bandits and sharks in the same level voice, there’s a detached quality to his narrative that is likely to leave most readers unengaged. Not as intensely felt as such similar monologues as the author’s Letters from Alain (2008) or Teresa Cardenas’s Letters to My Mother (2006), this still has value for its focus on the ones who stay behind. (Fiction. 11-13)

Pub Date: Oct. 1, 2008

ISBN: 978-0-88899-797-5

Page Count: 176

Publisher: Groundwood

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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THE FORT

A terrific premise buried beneath problem-novel tropes.

A gaggle of eighth graders find the coolest clubhouse ever.

Fulfilling the fantasies of anyone who’s ever constructed a fort in their bedroom or elsewhere, Korman hands his five middle schoolers a fully stocked bomb shelter constructed decades ago in the local woods by an eccentric tycoon and lost until a hurricane exposes the entrance. So, how to keep the hideout secret from interfering grown-ups—and, more particularly, from scary teen psychopath Jaeger Devlin? The challenge is tougher still when everyone in the central cast is saddled with something: C.J. struggles to hide injuries inflicted by the unstable stepdad his likewise abused mother persists in enabling; Jason is both caught in the middle of a vicious divorce and unable to stand up to his controlling girlfriend; Evan is not only abandoned by drug-abusing parents, but sees his big brother going to the bad thanks to Jaeger’s influence; Mitchell struggles with OCD–fueled anxieties and superstitions; and so forth. How to keep a story overtaxed with issues and conflicts from turning into a dreary slog? Spoiler alert: Neither the author nor his characters ultimately prove equal to the challenge. With the possible exception of Ricky Molina, one of the multiple narrators, everyone seems to be White.

A terrific premise buried beneath problem-novel tropes. (resources, author’s note) (Fiction. 11-13)

Pub Date: June 28, 2022

ISBN: 978-1-338-62914-9

Page Count: 256

Publisher: Scholastic

Review Posted Online: March 28, 2022

Kirkus Reviews Issue: April 15, 2022

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