A respectable if imperfect attempt to explore the line between human and animal nature.
A young Alaskan woman’s lover bears a deep secret.
Ivey’s third novel largely concerns Birdie, whose life is badly disordered. She tends bar at a remote lodge in Alaska and is prone to alcohol- and coke-fueled parties with the locals, which leaves her neglectful toward her 6-year-old daughter, Emaleen. She’s attracted to one man, Arthur, who’s kind but a little peculiar: He seems to always speak in the present tense, disappears into the woods for long stretches, and thinks a hunk of tundra is a fine gift. In time, through Arthur’s concerned father, Warren, Birdie learns a little more about what’s made Arthur so distant, even feral. Part dark romance, part outdoorsy adventure tale, this story has traces of the mysticism, folklore, and fairy tales that informed Ivey’s two previous novels, and at its strongest it immerses the reader deeply in Arthur’s peculiar, bear-like perspective on the world. (When he proclaims to Birdie that “I am loving you,” she muses: “As if love, once it came into existence, radiated backward and forward, encompassing all of time.”) But some of the novel’s parts mesh imperfectly: The nature of Birdie and Arthur’s attraction isn’t well-sold, Emaleen is cloyingly precocious, and Warren’s role in the story feels unfinished. A closing section that moves the action years into the future stresses some of the lessons that the Birdie-Arthur romance is meant to exemplify: That love is healing as well as risky, attraction is often inexplicable, and we’re more resilient than we often think. Credit Ivey for freshening up those themes—like Margaret Atwood, she’s gifted at writing about nature in off-kilter but not surrealistic ways—but the book’s overall structure is a bit creaky.
A respectable if imperfect attempt to explore the line between human and animal nature.Pub Date: Feb. 11, 2025
ISBN: 9780593231029
Page Count: 320
Publisher: Random House
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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