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WASTED BEAUTY

The lovers’ high-wire act, in the final third, is gripping, the earlier stuff, like Reba copping drugs, merely titillating....

Farm girl becomes supermodel in actor Bogosian’s dark, raunchy second novel (after Mall, 2000), about sex and drugs in the big city.

Reba Cook is 20 when she loses both parents to cancer, leaving her alone with older brother Billy on their failing farm in upstate New York. She gets no comfort from her brother, a hard-drinking bully ashamed of lusting after her, or from her new boss, Frank, a bank manager unhappy with her oral sex technique. One Saturday in the city, selling their apples at the market alongside Billy, she allows herself to be picked up. The guy deflowers and discards her in short order. A second guy hits on her at a McDonald’s, and this time Reba lucks out. Paul is a fashion photographer who sees the potential in this leggy blonde with beautiful eyes. In a heartbeat, she has an agency contract and becomes an overnight sensation. But this isn’t just Reba’s story. There’s also Rick, a 45-year-old doctor with a lucrative private practice, a happy family in the burbs, and a raging midlife crisis. He has a swell wife in Laura and two sweet kids, yet he yearns to run wild, though so far all he has managed is a Portnoyesque involvement with his penis (there are three masturbation scenes). He gets a shot at liberation when Billy becomes his patient. If Reba has ascended to its heights, Billy has hurtled implausibly into the city’s depths, and, now a violent derelict, he’s been razor-slashed by drug dealers. Late in the story, Rick and Reba meet to discuss her brother. Reba is snorting heroin and sleeping around, and reckless doctor and needy model launch themselves into a grand passion. Will it consume them?

The lovers’ high-wire act, in the final third, is gripping, the earlier stuff, like Reba copping drugs, merely titillating. Not surprisingly, Bogosian has a fine ear: more dialogue and fewer interior monologues might have made for a leaner, more powerful tale.

Pub Date: May 1, 2005

ISBN: 0-7432-3588-6

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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'SALEM'S LOT

A super-exorcism that leaves the taste of somebody else's blood in your mouth and what a bad taste it is. King presents us with the riddle of a small Maine town that has been deserted overnight. Where did all the down-Easters go? Matter of fact, they're still there but they only get up at sundown. . . for a warm drink. . . .Ben Mears, a novelist, returns to Salem's Lot (pop. 1319), the hometown he hasn't seen since he was four years old, where he falls for a young painter who admires his books (what happens to her shouldn't happen to a Martian). Odd things are manifested. Someone rents the ghastly old Marsten mansion, closed since a horrible double murder-suicide in 1939; a dog is found impaled on a spiked fence; a healthy boy dies of anemia in one week and his brother vanishes. Ben displays tremendous calm considering that you're left to face a corpse that sits up after an autopsy and sinks its fangs into the coroner's neck. . . . Vampirism, necrophilia, et dreadful alia rather overplayed by the author of Carrie (1974).

Pub Date: Oct. 17, 1975

ISBN: 0385007515

Page Count: 458

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Oct. 1, 1975

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