In an effective stalker shocker from the pseudonymous Bowman, a New York City cop helps out a homicidal author who's committing the very murders the cop is trying to solve—and it's anyone's guess as to who'll be the last man left alive. At the behest of his image-minded superiors, Manhattan-based detective James Montone meets with Terry Keyes, a personable Brit allegedly researching a new book on lawbreaking American-style. An ex-con who did 12 tears for manslaughter in England, Keyes wrote one bestseller while still behind bars and another after his parole. The past notwithstanding, the limey and the good-guy Yank hit it off. Montone soon invites Keyes to tag along on his next case, which turns out to be the high-profile demise of a TV anchor who died in a plunge from an Upper East Side apartment. Though the newscaster taped a suicide message, the NYPD suspect foul play. A dogged rather than inspired investigator, Montone confides some unreleased details of the death to the ingratiating Keyes. When a lovely young model with whom Montone has been keeping company is found hanged, he starts to wonder about his new best friend. Montone's suspicions are soon confirmed by Peter Henshaw, the retired Scotland Yard inspector who put Keyes away and opposed his release on grounds that he's a hopeless sociopath. Montone accompanies his principal suspect to Miami for the dead girl's funeral. With a big assist from his Florida colleagues, the Big Apple sleuth keeps a close watch on Keyes, whom he fears may make an attempt on the life of Holly's big sister Erin (a clinical psychologist with a professional interest in criminals). A master of disguise, Keyes gives everyone the slip, even faking his own death, but the remorseless Keyes can't escape a final rendezvous with the determined Montone. Top-drawer entertainment for devotees of the dangerous-games genre.
Pub Date: May 5, 1997
ISBN: 0-399-14263-0
Page Count: 304
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
