An excellent police thriller from a new talent.
This boisterous cop drama set in Boston’s troubled Tremont neighborhood offers more than the usual mix of corruption, organized crime and paranoiac plot twists.
A prostitute lies dead in a cheap motel in a bad part of town. Her suspected killer—a city policeman—is hauled away amid the glare of the local press. It all looks clear enough for everyone except young, streetwise Officer Ben Grasso (and perhaps Dennis Lehane fans), who begins his own covert investigation into the increasingly convoluted situation. He knows his childhood buddy Andy McGill is being framed for the shooting, but by whom? And why? Grasso’s knockout new partner—nightstick-wielding ex-Israeli intelligence agent Dina Greenbaum—joins in the search for the real story behind the young working girl’s murder, which leads them deep into a fairly predictable but entertaining tangle of organized crime and police corruption. Secret alliances, rogue bikers and a shadowy figure named Frank Ferrante complicate the pursuit of truth, as does a problematic romance that threatens to bubble up between Officers Grasso and Greenbaum. Hidden agendas are the order of the day, along with baseball, shootouts, familial responsibility and explosions. With these elements firmly in hand, the author turns out a more-than-competent thriller sure to please genre aficionados who like their crime fiction fast-paced, but not too broody or cerebral. Collins’ heroes and villains are comfortably life-sized, and his flair for interesting details of time and place keep the prose realistic but not dull. What helps elevate Collins’ debut from similar fare are his intriguing (but not belabored) digressions into his protagonists’ compelling back stories: Grasso’s ongoing balancing act between idealism and pragmatism rings true, without veering needlessly into chest-thumping machismo or blue-collar bathos, while Greenbaum’s mysterious doings with the Mossad are taut enough to be a self-contained tale. Readers rooting for further adventures from the duo will welcome the novel’s tidy, open-ended finale, which suggests the beginning of a potentially popular series.
An excellent police thriller from a new talent.Pub Date: April 17, 2012
ISBN: 978-1475146882
Page Count: 256
Publisher: CreateSpace
Review Posted Online: June 26, 2012
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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