Dezenhall’s (Spinning Dixie, 2006, etc.) fifth novel takes a cast of characters from history— FDR, Walter Winchell, Meyer Lansky—sets the story during the bleak beginning of World War II, and adds a secret network of counter-spies who made their bones as gangsters.
Recurring narrator Jonah Eastman is the grandson of Mickey Price, an old man who earned a fortune rum-running during Prohibition and went semi-legit with an Atlantic City casino. Eastman is also a college intern at the Reagan White House. His boss there knows his family background and wants Jonah to interview “Uncle Meyer.” Meyer Lansky was the real-life shadowy genius behind much mid-century U.S. organized crime. The Reagan Administration has discovered that Lansky and his cohorts—the “Ferret Squad”—helped root out Nazi undercover agents during WWII. The politicians are unofficially interested in Lansky’s story because there might be something valuable to be learned to deal with Islamo-fascist terrorists threatening U.S. interests. The novel shifts back and forth in time, presented as Eastman’s report-from-notes made as he interviewed Uncle Meyer in Miami, mortally ill with lung cancer. Alternate scenes follow Lansky in the 1940s. Some dialogue is rendered in slang, which is sometimes overdone. Along with the background of the uneasy alliance between the Italian and Jewish gangsters who dominated the criminal enterprises around New York City, there are interesting character snippets of infamous gangsters like Lucky Luciano (whose Sicilian ties aid in the Allied invasion of that island), and Albert Anastasia, a rogue homicidal maniac, and Bugsy Siegel, as deadly as Anastasia but prone to follow Lansky’s lead. The author also fictionalizes— dramatically narrates—the participation of real-life Lieutenant Commander Charles Radcliffe Haffenden, chief administrator of “Operation Underground,” a man ill-used as bureaucrats grist-milled history in service of politics.
With “the fate of civilization rested upon a handful of weary sailors and patriotic crooks,” Dezenhall intrigues with well-imagined, little-known history.
Pub Date: July 19, 2011
ISBN: 978-0-312-66882-2
Page Count: 304
Publisher: Dunne/St. Martin's
Review Posted Online: June 6, 2011
Kirkus Reviews Issue: June 15, 2011
A satisfyingly streamlined World War II thriller.
During the Nazi occupation of Paris, an architect devises ingenious hiding places for Jews.
In architect Belfoure’s fiction debut, the architectural and historical details are closely rendered, while the characters are mostly sketchy stereotypes. Depraved Gestapo colonel Schlegal and his torturer lackeys and thuggish henchmen see their main goal as tracking down every last Jew in Paris who has not already been deported to a concentration camp. Meanwhile, Lucien, an opportunistic architect whose opportunities have evaporated since 1940, when the Germans marched into Paris, is desperate for a job—so desperate that when industrialist Manet calls upon him to devise a hiding place for a wealthy Jewish friend, he accepts, since Manet can also offer him a commission to design a factory. While performing his factory assignment (the facility will turn out armaments for the Reich), Lucien meets kindred spirit Herzog, a Wehrmacht officer with a keen appreciation of architectural engineering, who views capturing Jews as an ill-advised distraction from winning the war for Germany. The friendship makes Lucien’s collaboration with the German war effort almost palatable—the money isn’t that good. Bigger payouts come as Manet persuades a reluctant Lucien to keep designing hideouts. His inventive cubbyholes—a seamless door in an ornamental column, a staircase section with an undetectable opening, even a kitchen floor drain—all help Jews evade the ever-tightening net of Schlegal and his crew. However, the pressure on Lucien is mounting. A seemingly foolproof fireplace contained a disastrous fatal flaw. His closest associates—apprentice Alain and mistress Adele—prove to have connections to the Gestapo, and, at Manet’s urging, Lucien has adopted a Jewish orphan, Pierre. The Resistance has taken him for short drives to warn him about the postwar consequences of collaboration, and his wife, Celeste, has left in disgust. Belfoure wastes no time prettying up his strictly workmanlike prose. As the tension increases, the most salient virtue of this effort—the expertly structured plot—emerges.
A satisfyingly streamlined World War II thriller.Pub Date: Oct. 1, 2013
ISBN: 978-1-4022-8431-1
Page Count: 384
Publisher: Sourcebooks Landmark
Review Posted Online: March 24, 2013
Kirkus Reviews Issue: April 15, 2013
A compulsively readable account of a little-known yet extraordinary historical figure—Lawhon’s best book to date.
A historical novel explores the intersection of love and war in the life of Australian-born World War II heroine Nancy Grace Augusta Wake.
Lawhon’s (I Was Anastasia, 2018, etc.) carefully researched, lively historical novels tend to be founded on a strategic chronological gambit, whether it’s the suspenseful countdown to the landing of the Hindenberg or the tale of a Romanov princess told backward and forward at once. In her fourth novel, she splits the story of the amazing Nancy Wake, woman of many aliases, into two interwoven strands, both told in first-person present. One begins on Feb. 29th, 1944, when Wake, code-named Hélène by the British Special Operations Executive, parachutes into Vichy-controlled France to aid the troops of the Resistance, working with comrades “Hubert” and “Denden”—two of many vividly drawn supporting characters. “I wake just before dawn with a full bladder and the uncomfortable realization that I am surrounded on all sides by two hundred sex-starved Frenchmen,” she says. The second strand starts eight years earlier in Paris, where Wake is launching a career as a freelance journalist, covering early stories of the Nazi rise and learning to drink with the hardcore journos, her purse-pooch Picon in her lap. Though she claims the dog “will be the great love of [her] life,” she is about to meet the hunky Marseille-based industrialist Henri Fiocca, whose dashing courtship involves French 75 cocktails, unexpected appearances, and a drawn-out seduction. As always when going into battle, even the ones with guns and grenades, Nancy says “I wear my favorite armor…red lipstick.” Both strands offer plenty of fireworks and heroism as they converge to explain all. The author begs forgiveness in an informative afterword for all the drinking and swearing. Hey! No apologies necessary!
A compulsively readable account of a little-known yet extraordinary historical figure—Lawhon’s best book to date.Pub Date: March 31, 2020
ISBN: 978-0-385-54468-9
Page Count: 464
Publisher: Doubleday
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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