THE DEVIL HIMSELF

Dezenhall’s (Spinning Dixie, 2006, etc.) fifth novel takes a cast of characters from history— FDR, Walter Winchell, Meyer Lansky—sets the story during the bleak beginning of World War II, and adds a secret network of counter-spies who made their bones as gangsters.

Recurring narrator Jonah Eastman is the grandson of Mickey Price, an old man who earned a fortune rum-running during Prohibition and went semi-legit with an Atlantic City casino. Eastman is also a college intern at the Reagan White House. His boss there knows his family background and wants Jonah to interview “Uncle Meyer.” Meyer Lansky was the real-life shadowy genius behind much mid-century U.S. organized crime. The Reagan Administration has discovered that Lansky and his cohorts—the “Ferret Squad”—helped root out Nazi undercover agents during WWII. The politicians are unofficially interested in Lansky’s story because there might be something valuable to be learned to deal with Islamo-fascist terrorists threatening U.S. interests. The novel shifts back and forth in time, presented as Eastman’s report-from-notes made as he interviewed Uncle Meyer in Miami, mortally ill with lung cancer. Alternate scenes follow Lansky in the 1940s. Some dialogue is rendered in slang, which is sometimes overdone. Along with the background of the uneasy alliance between the Italian and Jewish gangsters who dominated the criminal enterprises around New York City, there are interesting character snippets of infamous gangsters like Lucky Luciano (whose Sicilian ties aid in the Allied invasion of that island), and Albert Anastasia, a rogue homicidal maniac, and Bugsy Siegel, as deadly as Anastasia but prone to follow Lansky’s lead. The author also fictionalizes— dramatically narrates—the participation of real-life Lieutenant Commander Charles Radcliffe Haffenden, chief administrator of “Operation Underground,” a man ill-used as bureaucrats grist-milled history in service of politics.

With “the fate of civilization rested upon a handful of weary sailors and patriotic crooks,” Dezenhall intrigues with well-imagined, little-known history.

Pub Date: July 19, 2011

ISBN: 978-0-312-66882-2

Page Count: 304

Publisher: Dunne/St. Martin's

Review Posted Online: June 6, 2011

Kirkus Reviews Issue: June 15, 2011

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Whitehead continues the African-American artists' inquiry into race mythology and history with rousing audacity and...

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THE UNDERGROUND RAILROAD

What if the metaphorical Underground Railroad had been an actual…underground railroad, complete with steam locomotive pulling a “dilapidated box car” along a subterranean nexus of steel tracks?

For roughly its first 60 pages, this novel behaves like a prelude to a slave narrative which is, at once, more jolting and sepulchral than the classic firsthand accounts of William Wells Brown and Solomon Northup. Its protagonist, Cora, is among several African-American men and women enslaved on a Georgia plantation and facing a spectrum of savage indignities to their bodies and souls. A way out materializes in the form of an educated slave named Caesar, who tells her about an underground railroad that can deliver her and others northward to freedom. So far, so familiar. But Whitehead, whose eclectic body of work encompasses novels (Zone One, 2011, etc.) playing fast and loose with “real life,” both past and present, fires his most daring change-up yet by giving the underground railroad physical form. This train conveys Cora, Caesar, and other escapees first to a South Carolina also historically unrecognizable with its skyscrapers and its seemingly, if microscopically, more liberal attitude toward black people. Compared with Georgia, though, the place seems so much easier that Cora and Caesar are tempted to remain, until more sinister plans for the ex-slaves’ destiny reveal themselves. So it’s back on the train and on to several more stops: in North Carolina, where they’ve not only abolished slavery, but are intent on abolishing black people, too; through a barren, more forbidding Tennessee; on to a (seemingly) more hospitable Indiana, and restlessly onward. With each stop, a slave catcher named Ridgeway, dispensing long-winded rationales for his wicked calling, doggedly pursues Cora and her diminishing company of refugees. And with every change of venue, Cora discovers anew that “freedom was a thing that shifted as you looked at it, the way a forest is dense with trees up close but from outside, the empty meadow, you see its true limits.” Imagine a runaway slave novel written with Joseph Heller’s deadpan voice leasing both Frederick Douglass’ grim realities and H.P. Lovecraft’s rococo fantasies…and that’s when you begin to understand how startlingly original this book is.

Whitehead continues the African-American artists' inquiry into race mythology and history with rousing audacity and razor-sharp ingenuity; he is now assuredly a writer of the first rank.

Pub Date: Sept. 13, 2016

ISBN: 978-0-385-53703-2

Page Count: 320

Publisher: Doubleday

Review Posted Online: April 13, 2016

Kirkus Reviews Issue: May 1, 2016

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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