While the intensity of Dupont’s prose can be maddening, the sweet, sour, and salty world he creates is thoroughly addictive.
French Canadian Dupont’s bruiser of a novel begins as a traditional family saga set in a small, early-20th-century Quebec village before swerving into new, less linear, and more psychologically demanding territory.
Born in 1918 and almost immediately orphaned, larger-than-life figure Louis Lamontagne grows up with his grandmother Madeleine, a powerhouse herself, in Rivière-du-Loup. The names Louis and Madeleine will recur among other characters, as will a birthmark shaped like a bass clef and blue eyes in a particular shade of teal. Louis’ nickname, "The Horse,” is his alone, however, derived from his mythic strength. Womanizing, storytelling Louis’ life is by turns rollicking and tragic. He evolves from a charismatic, beloved boy to a witness to World War II atrocities to an alcoholic funeral director after his youngest son dies in a tragic accident. His middle child, Madeleine, eventually takes center stage. As a pregnant, unmarried teenager, she moves to Quebec City in the 1960s and opens a diner that she expands into a hugely successful chain while raising twin sons, Michel and Gabe. This first half of the novel, chock full of digressive stories about seemingly minor characters, has a rambling, overstuffed, 19th-century feel. But then, more than 250 pages in, Dupont shifts gears; the novel narrows and becomes epistolary. In 1999, Gabe, on a hopeless romantic quest in Germany, and Michel, an opera singer making a controversial film version of Tosca in Rome, begin a correspondence expressing their ambivalence toward each other and their conflicting views of their mother. Meanwhile, Gabe meets an elderly German woman with a convoluted story she shares in notebooks that take Gabe and the reader in unexpected directions. Everyone’s version of events differs here; there’s no trusting who’s hero, victim, or villain—or what’s real; parallels accumulate; every casually mentioned detail becomes important as truths are revealed.
While the intensity of Dupont’s prose can be maddening, the sweet, sour, and salty world he creates is thoroughly addictive.Pub Date: Feb. 11, 2020
ISBN: 978-0-06-294745-1
Page Count: 608
Publisher: HarperVia
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK TO SCREEN
SEEN & HEARD
Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...
Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.
Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.
Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.Pub Date: June 2, 2003
ISBN: 1-57322-245-3
Page Count: 368
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
SEEN & HEARD
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