by Eric G. Müller ‧ RELEASE DATE: Dec. 2, 2017
A fine tale with well-conceived quests, strong characters, exciting confrontations, and a delightful resolution.
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Three children continue their mission to ensure the world’s survival in this fantasy sequel.
In the first installment of this series, the white Temple kids—older sister Julie and her brother, Leo—along with their African American neighbor Annabel—sailed in a magical, invisible flying boat on a quest to free water sprites from their monstrous captors. This was the first step in reuniting humans with elementals (such as dwarfs and fairies), ushering in the new age of light. But a great battle is still to be fought, with the children playing an essential role. As Brathnar, King of the Dwarfs, explains, many forces “desire the destruction of the inner light and our shared world….Earth’s fate depends on you.” The kids make a long and perilous journey to bring the Water of Light from deep underground and distribute it (in the form of magical seeds) as healing medicine for Mother Earth’s droughts and wildfires. The threesome also discover what’s happened to Annabel’s missing older brother, Massud, and retrieve an essential artifact that helps them and the elemental powers battle Zuratrat, the fearsome Molten Dragon. Succeeding could heal the world, gain a treasure, and make many wishes come true. The author continues the fun, thrills, and lively characters from the series opener (The Invisible Boat, 2014) in this follow-up for fourth graders and up. Readers learn more about the neighbors in the Temples’ brownstone who contribute to the quest; Mr. Hoover, for example, is a private detective, and he helps the three children nail down clues related to Massud. Müller’s (Rounding the Cape of Good Hope, 2017, etc.) ending nicely brings all the good guys together for a conclusion that’s logical and satisfying. The author’s descriptions, especially of settings, are a joy, with well-chosen details to linger over, whether the location is a fantasy landscape, a magic shop, or a detective’s office. As before, the book has an urgently serious message of ethical responsibility to the environment, but it doesn’t feel preachy thanks to the story’s highly colored adventures.
A fine tale with well-conceived quests, strong characters, exciting confrontations, and a delightful resolution.Pub Date: Dec. 2, 2017
ISBN: 978-1-943582-98-3
Page Count: 396
Publisher: Waldorf Publishing
Review Posted Online: Aug. 23, 2019
Kirkus Reviews Issue: Oct. 15, 2019
Review Program: Kirkus Indie
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by Eric G. Müller ; illustrated by Martina A. Müller
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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