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KINGSLEY AMIS

A BIOGRAPHY

A lucid, unvarnished biography of novelist Kingsley Amis (who died in 1995), father of Martin and one of Britain’s famously outsize literary personalities. Jacobs, a London-based journalist for more than 30 years, timed his research perfectly: When he began interviewing Kingsley Amis for this book, the septuagenarian was still in good health, his spiky, contrarian wit undimmed. Over the course of two and a half years, the two men met frequently in Amis’s favorite pubs, where the author regaled the journalist with bizarre anecdotes, caustic opinions, and bawdy rhymes. Amis seemed to enjoy recounting his florid past, and’seen through the amber glaze of many a single-malt Macallan—it gained clarity and sharpness. Jacobs observed, however, that Amis’s physical life had become sharply constricted, his body heavy and leaden, almost monstrously childlike. Yet Amis was always a man of contrasts, his emotional neediness and hypochondria offset still by fierce, dismissive intellect. One of the most prolific and plainspoken authors of his generation, Amis wrote 24 novels—including his famous, award-winning debut, Lucky Jim—and more than a dozen collections of poetry, short stories, and criticism. There was nothing in his past to suggest it: Amis was the only son of a business clerk, and his ascent from the perfect obscurity of lower-middle-class London was largely self-willed. But he never quite fit in with his literary peers. Not only was he famously outspoken, he also wrote popular books—an aesthetic decision rooted in his own sense of egalitarianism. As Jacobs explains, Amis did not believe in books —you had to read another book to understand.— Nor does Jacobs himself, who has written an evenhanded and refreshingly direct profile of the man: the soldier, the husband, the father, the boozer, the adulterer, and, above all, the novelist. (16 pages b&w photos, not seen)

Pub Date: June 16, 1998

ISBN: 0-312-18602-9

Page Count: 392

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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