A violent, sometimes farfetched look at the desperate lengths people will go to protect the things that matter most to them.
L.A. free spirit’s life takes a dangerous turn when she discovers she is pregnant—just as her lover decides to go back to his wife.
Part-time bartender, aspiring singer and celebrated biker babe Billie (aka, Ducati, after the Italian motorcycle) is understandably crushed when Keith tells her, at Starbucks no less, that he is back with his estranged wife Carmen, a controlling harpy who has long been blackmailing him emotionally. Even after convincing him to revoke their impending divorce, so that they might once again live as a family with their teenaged daughter Destiny, Carmen is unsatisfied. Winning back the weak-willed Keith is not enough for the hypocritical lawyer, who had a lover of her own. She knows that Keith still loves Billie, so she is determined to make sure the other woman stays out of Keith’s life—by any means necessary. Meanwhile, Carmen’s baby-faced daughter is struggling with her own strong emotions. With a habit of sneaking out of her room after dark, Destiny uses a big fight with her mother as a pretext for hooking up with a group of slightly older kids she meets on the street. What happens that night is a gritty descent into a shocking teen underworld of violence, drugs and amateur porn. When Destiny does not come home, it is Billie who finds the traumatized runaway, and drags her back to her parents, if only temporarily. After that, Billie finds herself menaced by somebody bent on harming her and her unborn child, while Destiny goes off on a harrowing mission of revenge. Dickey’s latest (Genevieve, 2005, etc.) delves into dark territory, with mixed results. While Billie is the kind of strong, sexy, heroine that Dickey’s readers have come to love, it is hard to believe that a bright girl like Destiny—even with her family falling apart—could sink so far, so fast.
A violent, sometimes farfetched look at the desperate lengths people will go to protect the things that matter most to them.Pub Date: April 11, 2006
ISBN: 0-525-94950-X
Page Count: 432
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
IN THE NEWS
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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