by Eric Lerner ‧ RELEASE DATE: Oct. 16, 2018
A sensitive portrait of a sly, charming, complicated man.
Singer, songwriter, and poet Leonard Cohen (1934-2016) wanted to be remembered above all as a good father.
In an affectionate, closely observed memoir, novelist, screenwriter, and film producer Lerner (Pinkerton’s Secret, 2008, etc.) recounts a friendship that began in 1977 and lasted until Cohen’s death. At the time they met, Cohen “was already intent on keeping his private life as far removed from the limelight of his career as possible.” In fact, his career was not flourishing: He wanted to be acclaimed as a serious poet or literary novelist but instead performed as a singer to support himself, his ex-wife, and two children. Lerner describes Cohen as “an ethereal being” whose “vital energy resided above his shoulders.” The men shared a two-family house for many years, and despite decades of difference in their ages, became confidants. “Somehow,” Lerner writes, “he determined that I could understand him without explanation.” And Lerner felt equally understood: “he knew I was heading into the same difficult waters he was treading, fighting the riptide and the undertow.” Those difficult waters included professional obstacles (Cohen “tried to hold his life together with chewing gum and Scotch tape”), disappointments in love, and a deep spiritual quest. They both sought guidance from Japanese-born Rinzai Zen master Joshu Sasaki Roshi, engaging in ritualized practices and periods of meditation known as sesshin. A shared desire to understand their true natures, plumb the depths of their souls, and find enlightenment recurred in their ongoing conversations, which Lerner presents verbatim. They also discussed Cohen’s frustrated efforts to further his career; only after his manager embezzled all his money did he launch a tour that met with wild enthusiasm. More than performing, though, Lerner says that for Cohen, fatherhood “defined his life.” When he was with his children (who lived mostly with their mother), he didn’t try “to entertain, amuse, or distract” but instead “to enchant. That’s the kind of father Leonard was.” More than once, he told Lerner “on his gravestone they should just put: Father.”
A sensitive portrait of a sly, charming, complicated man.Pub Date: Oct. 16, 2018
ISBN: 978-0-306-90270-3
Page Count: 304
Publisher: Da Capo
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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