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TWELVE PATIENTS

LIFE AND DEATH AT BELLEVUE HOSPITAL

An exquisite—and often exquisitely depressing—patchwork of joy and pain.

Captivating samplings of one doctor’s tour of duty inside the country’s oldest and perhaps most illustrious public hospital.

As the “oldest hospital in the country,” New York’s famous Bellevue Hospital stands strong in the ashes of centuries of illness, death and, indeed, survival. Manheimer started his residency there in 1997, and each of these 12 vignettes coalesces into a humanitarian and heartbreaking tapestry where modern medicine confronts the atrocities of life. The profiles begin with the strife of incarcerated Mexican mobster Juan Guerra, admitted to the prison health unit with a neck swollen with cancerous tumors, the same type of carcinoma the author was battling at the same time. Other chapters introduce patients like Tanisha, a Dominican-Haitian teenager who was abandoned at birth and had ricocheted for years through an overburdened foster-care system; a recovering drug addict; an undocumented factory worker with a failing heart caused by debilitating Chagas disease; an obese woman requiring a C-section; and a homeless schizophrenic. As harrowing as the stories of the patients is the chronicle of Manheimer’s own arduous battle with cancer. Sampling three decades of the doctor’s tenure as medical director, the book offers desperate glimpses into the unfortunate lives of the sick, the injured and the dying, yet the author never relinquishes his hold on hope, however fleeting. Manheimer’s unflinching reportage of his patients, the country’s fractured health care system, irresponsible food manufacturers and hospital politics is authoritatively written, though not recommended for the medically squeamish.

An exquisite—and often exquisitely depressing—patchwork of joy and pain.

Pub Date: July 10, 2012

ISBN: 978-1-4555-0388-9

Page Count: 272

Publisher: Grand Central Publishing

Review Posted Online: May 25, 2012

Kirkus Reviews Issue: June 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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