An engrossing, prismatic portrait of first- and second-generation Vietnamese American life.
In this decades-spanning novel, a family of Vietnamese refugees makes a home in New Orleans.
Hương, who’s pregnant, arrives in New Orleans in 1978 disoriented and overwhelmed but clear on one thing: She must get in touch with Công, her husband, who was inexplicably left behind when she and their young son boarded the boat that carried them away from Vietnam and the encroaching Communist regime. As she, her son, and her new baby settle into the Versailles Arms, an apartment building on a polluted bayou populated entirely by Vietnamese refugees, she sends letter after letter to their old addresses in Vietnam and constantly replays the moment of their unexpected parting in her head. “How had Công’s hand slipped? she kept asking herself. That was the only explanation. The only possible one.” It’s only when Công sends her a brief postcard back—“Please don’t contact me again” is the jist of it—that denial gives way to grief and a steely resolve to protect her two sons, no matter what. Over the following years, the novel moves fluidly among each of the family members’ perspectives: Tuấn, her elder son, grows from a boy gentle with animals to a teenager trying to prove his toughness to the members of a Vietnamese American gang called the Southern Boyz. Bình—or Ben, as he insists on being called, never having known Vietnam—loves to read, slowly realizes that he’s gay, and eventually embarks on a transoceanic voyage of his own. Hương begins dating a kind car salesman named Vinh, but all three family members are haunted by Công’s absence. Hương tells the boys early on that their father is dead, a lie that plants the seeds for familial rupture later on. Debut author Nguyen movingly portrays the way adopted homes can become as cherished and familiar as ancestral ones (Hương on New Orleans: “She realized this had become her city, the place she lived but also a place that lived in her”) but also the truth that new loves can never quite heal old wounds. Seeing her sons, so like their father, growing away from her, Hương thinks: “It’s always like she’s losing him again—to the world, to life, to fate.”
An engrossing, prismatic portrait of first- and second-generation Vietnamese American life.Pub Date: May 4, 2021
ISBN: 9780593317952
Page Count: 304
Publisher: Knopf
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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