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WHERE’S MY WAND?

ONE BOY'S MAGICAL TRIUMPH OVER ALIENATION AND SHAG CARPETING

A witty, observant, deliciously satisfying autobiography.

A quirky, irreverent story of growing up odd in the 1970s, when people still wrote letters, loved shag carpeting and used carbon paper.

Fox Television radio-marketing executive Poole grew up in the Midwest in a family, and among an assortment of characters, destined to end up in a coming-of-age memoir. Some of the more entertaining stories include the chaos of his parents’ fighting in 1969; the author’s befriending of the sarcastic, armless Stacy (who “exhibit[ed] her stumps to the amazement and awe of the gathered fourth-graders”); his magical obsessions with Bewitched, which included an unhealthy attachment to Endora; and his failed exorcism of another boy in Bible school. From his early childhood, when he escaped into his family’s basement to chant magical charms to ward off alienation and chaos, through his teenage years, when the normal teenager panic was amplified by the added bewilderment of his awakening homosexuality, Poole shares an intimate, self-effacing chronicle of a unique young boy and the forces that molded him into the grounded, articulate, charming oddball he is today. The real charm of the book lies in the authenticity of the humor. There is not one forced moment in the book, nor is there a stitch of disingenuous manipulation to get a cheap laugh or manufacture a setup to a joke. Each entertaining tidbit grows from the characters, their lives, their struggles and their unforgivably shameless honesty. This is the story of growing up as the exception, but learning to understand that if you’re lucky and have the right mix of crazy people in your life, being the exception can morph into being exceptional.

A witty, observant, deliciously satisfying autobiography.

Pub Date: June 1, 2010

ISBN: 978-0-399-15655-7

Page Count: 272

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: Oct. 5, 2010

Kirkus Reviews Issue: March 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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