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GRANITE KINGDOM

A lively and well-researched tale for fans of mysteries and American social history.

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The Vermont granite industry provides the backdrop for this debut historical novel set in the early 20th century in a fictional small town.

In Granite Junction, two rival granite companies are fighting for prominence: one run by the disgruntled Ernest Wheeler and the other by society leader George Rutherford. The story begins with a legal battle between the two men over Rutherford encroaching on Wheeler’s turf, all of which is reported by the Granite Junction Gazette.Young journalist Dan Strickland, the son of a stonemason, covers the story and the chain of events that follow. These include a suspected murder and business malpractice, pulling him further into the dark underbelly of the town despite his efforts to rise above his station. Pope’s novel grapples with several interconnected themes, all inspired by the author’s ownership of a local paper and its archive in small-town Vermont. This makes for a nuanced portrayal of a community that relies on a particular industry and what happens when the business faces a period of uncertainty. Most intriguing is the exploration of Strickland’s grappling with his identity and his attempts to ingratiate himself with the upper classes in Granite Junction (“If a farm boy like Ernest Wheeler could become the owner of a big company, then the son of a stonecutter could also achieve success”). This process begins with Strickland’s induction into the town’s Pedalers club, populated by his richer male peers. But it is ultimately symbolized by Strickland’s flickering romantic interest in school friend Molly O’Brien, the well-educated Camille Upton, and destitute widow Rosa Rosetti. Through these female characters and others, Pope also provides a convincing look at a cross section of women during the period, even if many of them are beholden to the men around them. Each character provides a particular perspective, making for an ensemble feel to the novel that is sometimes more compelling than the mystery at the heart of the story.

A lively and well-researched tale for fans of mysteries and American social history.

Pub Date: Nov. 29, 2022

ISBN: 978-1-57869-118-0

Page Count: 276

Publisher: Rootstock Publishing

Review Posted Online: Oct. 28, 2022

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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