The world's a perilous place indeed, full of moral ambiguity and inscrutable Asian mystique, in Lustbader's (Black Blade, 1993, etc.) second installation of the Kaisho series. While piecing together clues of an international criminal bombing plot, Nicholas Linnear must locate Mikio Okami, the Japanese Mafia godfather he finds morally reprehensible but has sworn to his father to protect. Okami is in hiding because most of the other characters want him dead. His closest Japanese associates want to move past petty business profits and arms sales into drug trafficking. American mobster ``Bad Clams'' Leonforte has an unhealthy interest in tracking Okami, possibly because he is the adversary of Okami's former partner, the brutally murdered Dominic Goldoni, or because he is involved with Senator Dedalus, who coordinates illegal arms trades from a Washington, DC, strip joint. Linnear pursues the Asian connection and, while there, an old flame, while his pal Lew Croaker sleuths in the States, a job that includes tailing Goldoni's sister, Margarite, with whom, if that don't beat all, he's in love. Occasional telephone conversations between Linnear and Croaker recap their progress in tracing Okami and digging up the details on Torch, a powerful, portable nuclear weapon scheduled to detonate in some unspecified city. Until then, it is housed with its creator, a Russian cyberneticist and defector, in Floating City, the Vietnamese stronghold of Rock, an American veteran who had too much fun firing his missile launcher to ever leave Vietnam. While mingling with these politicians and gangsters, the heroes rely upon their unique resources: Linnear upon his tanjian—a psychic discipline that converts thought into action—and Croaker upon his biomechanical, titanium-sheathed left hand. Honorable bad guys and elaborate secrets mingle with the usual senseless violence and sensual, exploited Asian women. Whoever makes it to the end of this entangled thriller will find that the loose ends make the next Linnear installment a must-read.
Pub Date: Aug. 1, 1994
ISBN: 0-671-86808-X
Page Count: 416
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1994
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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