Occasionally digressive but worthy addition to the literature surrounding wolves.
A writer meditates on the place of the wolf in the world and in the imagination.
“I am not an academic nor a scientist, I am just one animal trying to see another.” So writes Berry, who opens with an unhappy story of a wolf that was collared by biologists and was clearly known to them yet was gunned down outside a small town in northeastern Oregon. Some 30 wolves have died at human hands in Oregon since the Yellowstone wolf reintroduction program began. From Yellowstone, individual animals and small packs have radiated outward to Idaho, Montana, and the eastern Pacific Northwest. Along the course of her narrative, Berry examines both their movements and the reactions of humans, sometimes based on the supposed need to protect livestock from predation but mostly out of fear. Humans fear what they don’t know, and wolves certainly count, even though the incidence of wolves’ attacking humans is extremely rare. Wolves, conversely, have every reason to fear humans; says one Canadian biologist whom Berry interviews, “If you experience something life-threatening, you are a different animal the very next day.” The author ranges widely among the body of biological facts and mythology to paint a portrait of wolves that sometimes threatens to turn into a data dump, with a page here devoted to Indo-European linkages of wolves to unruly teenage warrior initiates and a page there to the psychological origins of lycanthropy. Even if the material is sometimes scattered, Berry offers some intriguing insights: “What if the werewolf is not shackle but solution?” While her book doesn’t quite measure up to those by Barry Lopez and Rick McIntyre, it’s less a field report—though Berry does travel into wolf country, meaning mostly human country populated by men, mostly, who would rather “shoot, shovel, and shut up” than welcome wolves back—than a kind of extended essay on what wolves mean.
Occasionally digressive but worthy addition to the literature surrounding wolves.Pub Date: Feb. 21, 2023
ISBN: 9781250821621
Page Count: 432
Publisher: Flatiron Books
Review Posted Online: Dec. 19, 2022
Kirkus Reviews Issue: Jan. 15, 2023
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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