Bling is just plain bland.
Hip-hop heaven.
That’s where Mimi wants to be, among the gods and goddesses of black music, dating eight-figure niggas and living large. Growing up in Toledo, Ohio, without her Haitian father, who walked out long ago on her Italian-American mother, she knows she’s not entirely black, but she’s sure as hell not white either. Segue to New York, where Lamont Jackson, a hustling music producer thinks Mimi just might be the next big thing. He sets out to improve her image and get her noticed. Posh parties with thugillionaires get her face in the papers, but a pretty face isn’t enough. Lamont’s birthday present to Mimi: new boobs. Other big decisions loom: rhinestones on the fake fingernails or just French tips? Straight bleached-blond extensions or natural curls? Lamont oversees the process, glamming Mimi up big-time, though he insists that she dress like a Catholic schoolgirl after midnight, in short plaid skirt, bobby socks, and saddle shoes, and that she call him Daddy at climactic moments. Mimi, a practical gal, doesn’t mind much. It saves time and gets her what she wants: lots of oral sex. She brags to her girlfriends, who gather regularly for gossipy, backstabbing shriekfests, that “Lamont eats her out with the ferocity of a famine victim presented with a steaming bowl of rice.” But she’s no fool, and it’s clear these raunchy ways and constant couplings might not be a forever kind of love, so Mimi casts wayward looks at reclusive genius Gemini, another producer, who’s holed up in a filthy mansion with his all-male posse. Could Gem be The One? Maybe—if one of his ubiquitous homies could be persuaded to change the sheets. A cast of thousands in ghetto-fabulous attire talk nonstop, drop designer names, and worry ’bout running red lights in they limos, but it don’t add up to much in this dull first novel.
Bling is just plain bland.Pub Date: July 1, 2004
ISBN: 1-4013-5215-4
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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