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BLING

Bling is just plain bland.

Hip-hop heaven.

That’s where Mimi wants to be, among the gods and goddesses of black music, dating eight-figure niggas and living large. Growing up in Toledo, Ohio, without her Haitian father, who walked out long ago on her Italian-American mother, she knows she’s not entirely black, but she’s sure as hell not white either. Segue to New York, where Lamont Jackson, a hustling music producer thinks Mimi just might be the next big thing. He sets out to improve her image and get her noticed. Posh parties with thugillionaires get her face in the papers, but a pretty face isn’t enough. Lamont’s birthday present to Mimi: new boobs. Other big decisions loom: rhinestones on the fake fingernails or just French tips? Straight bleached-blond extensions or natural curls? Lamont oversees the process, glamming Mimi up big-time, though he insists that she dress like a Catholic schoolgirl after midnight, in short plaid skirt, bobby socks, and saddle shoes, and that she call him Daddy at climactic moments. Mimi, a practical gal, doesn’t mind much. It saves time and gets her what she wants: lots of oral sex. She brags to her girlfriends, who gather regularly for gossipy, backstabbing shriekfests, that “Lamont eats her out with the ferocity of a famine victim presented with a steaming bowl of rice.” But she’s no fool, and it’s clear these raunchy ways and constant couplings might not be a forever kind of love, so Mimi casts wayward looks at reclusive genius Gemini, another producer, who’s holed up in a filthy mansion with his all-male posse. Could Gem be The One? Maybe—if one of his ubiquitous homies could be persuaded to change the sheets. A cast of thousands in ghetto-fabulous attire talk nonstop, drop designer names, and worry ’bout running red lights in they limos, but it don’t add up to much in this dull first novel.

Bling is just plain bland.

Pub Date: July 1, 2004

ISBN: 1-4013-5215-4

Page Count: 528

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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