A delightful historical romance featuring a new family of nonconformists to fall in love with.
A young lady attempts to steal a painting but finds she’s nabbed a duke instead.
Most young women trying to sneak into Regency society long to be seen, but Chloe Wynchester is the opposite: She strives to be invisible. She and her siblings, an eclectic group of six orphans adopted by the late Baron Vanderbean, use their unique talents “doing good works beneath people’s noses.” Though most of their missions are altruistic, her latest aim is personal: to liberate a painting that was significant to Bean and is precious to his adopted brood, stolen from them by Lawrence Gosling’s father, the previous Duke of Faircliffe, who had sold it to Bean years ago because he needed the money. She hatches an elaborate plan to steal it back, but the plot is upended when she accidentally kidnaps the duke instead. The timing couldn’t be worse, from Lawrence’s perspective, as he’s sacrificed nearly everything he has to rebuild his family’s reputation and is about to complete his task by proposing marriage to a woman with a large dowry. As his kidnapper, Chloe is all too visible to Lawrence, who assumes she’s a social climber. Needing some reason to keep seeing Lawrence as she searches for the still-missing painting, Chloe convinces him to give her lessons and help her find a wealthy suitor. The attraction between them grows with each lesson, especially when he learns that she’s an avid follower of Parliament and can match him argument for argument. Their first kiss leaves both certain of their chemistry, but Lawrence is still Chloe’s sworn enemy even if he doesn’t know it, and he’s also still set on restoring his dukedom, so even as they fall in love, both struggle to abandon what they’ve always believed and who they pretend to be. There are plenty of steamy scenes, but the emotional center of the book unfolds as Lawrence and Chloe come to care for each other and, for the first time, experience being seen and loved for who they truly are. Though slightly bogged down with exposition, the story is a charming introduction to a new series, and readers will look forward to seeing the next Wynchester meet their match.
A delightful historical romance featuring a new family of nonconformists to fall in love with.Pub Date: Feb. 9, 2021
ISBN: 978-1-5387-1952-7
Page Count: 368
Publisher: Forever
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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