by Erica Wagner ‧ RELEASE DATE: June 27, 2017
A sturdy, illuminating biography.
A biography of the man who helped design and build one of the most iconic bridges in America.
John Roebling planned much of the iconic Brooklyn Bridge, but he died in 1869, just before scheduled construction. The project fell to his son, Washington (1837-1926), and it took 14 years. New Statesman contributing writer Wagner (Seizure, 2007, etc.) chronicles the story of a father’s influence on the son and the son’s influence on his own family. There are plenty of texts about the Roeblings and their bridge—notably, David McCullough’s The Great Bridge (1972)—but this portrait has the advantage of Washington’s recently recovered memoir of life with his father. With contemporary notes, clippings, and letters, too, it makes a fascinating tale. John, who came to America to establish a village and then a wire mill, was extremely strict, and he was cheap. He was certain that copious water would cure every illness, and he was a devout spiritualist. A Rensselaer engineer, Washington was at Gettysburg, the Battle of the Crater, and the Wilderness. He was discharged as a colonel, a title he kept ever after. Washington’s marriage was legendary. When he became incapacitated with the bends while working on the bridge, his wife, Emily, acted as his amanuensis, relaying his detailed instructions to workers on the site. Wagner recounts the festivities in Manhattan and Brooklyn when the bridge opened in 1883, but she fails to mention the widely reported panic, barely a week later, when the general public was invited to walk the span without the set fee of a penny. Many died or were injured by the crush. Washington’s fortune grew with the Roebling wire mill, which supplied the Wright brothers and Charles Lindbergh with wire for their aircraft and thousands of miles of cable wire for the George Washington Bridge. Washington remarried after Emily’s death and grew to be a hypochondriac, stingy old man, and he died in the summer of 1926, just short of his 90th birthday.
A sturdy, illuminating biography.Pub Date: June 27, 2017
ISBN: 978-1-62040-051-7
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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