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THREE TEARLESS HISTORIES

These powerful inquiries spurred by photos are history made flesh, the untold lives of the mostly forgotten.

The clash of fascism and communism on two continents over half a century, as traced through a few family photographs.

At one point, author and award-winning translator Hackl (Argentina’s Angel, 2014, etc.) describes his methodology as “a question-and-answer carousel between here and there: the basic data, rather sparse, not very vivid, without feelings, which our imagination has to supply.” The “our” in the reading of this book is the reader, because even though the elements are tragic, even horrific, the author’s tone remains matter-of-fact and speculative. Hackl is like an investigating detective pursuing a case where all the principals are long dead and the few who remain may be reluctant to talk. The first and longest of these files concerns a family threatened by anti-Semitic Austrian fascism; some of them moved to Brazil only to find a “dictatorship [that] must have seemed like a variant of Austro-fascism with a tropical gloss.” Two of them attempted to return to Austria but found themselves in what seemed like “a permanently provisional arrangement” between the country that was home and the Brazil that had become home. The piece begins and ends with a photo, though “invisible on this picture are the threads linking times and continents.” The second and shortest, “The Photographer of Auschwitz,” tells of the prisoner who was a photographer and was charged with documenting new arrivals, taking as many as 50,000 photos. One of the images became indelible—“four Jewish girls, naked, emaciated until they’re nothing more than skeletons, looking at us with big eyes. Four thirteen-year-olds who are about to die and are immensely ashamed of their nakedness.” Another is “the only cheerful photo from Auschwitz, of a wedding.” The third section also features a wedding photo from a concentration camp: two incarcerated dissidents, only one of whom would survive, and the son who tried to come to terms with their history and his life “in time-lapse photography. Because they are years of repressed memory.”

These powerful inquiries spurred by photos are history made flesh, the untold lives of the mostly forgotten.

Pub Date: Jan. 10, 2017

ISBN: 978-0-9970034-3-7

Page Count: 216

Publisher: DoppelHouse Press

Review Posted Online: Oct. 10, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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