A well-wrought sequel with more than a few excellent messages for young readers.
A peculiar family of cryptozoologists confronts the tides of change in this young-adult fantasy.
Shein and Gates (Being a Normal Family Is a State of Mind, 2014) deliver the second entry in their well-received Monsterjunkies saga set in Foggy Point, Maine. Cromwell “Crow” Monsterjunkie can’t stop looking over his shoulder, and for good reason: His nemesis, the bullying Ruth Grimes Jr., won’t live down the humiliation he suffered at Crow’s hands not long ago. But for Crow, whose family’s mission is “to find, protect, and study unusual, rare, and thought to be nonexistent species,” Ruth is the least of his worries. For instance, there’s Crow’s friend Beauregard—a highly intelligent sasquatch living under the Monsterjunkies’ care—who yearns to leave the family estate and seek his origins. Crow’s sister, Indigo, has grown petulant as college (and her future) looms. And Crow can’t find the words to tell his renowned professor father that inheriting the family legacy isn’t exactly on his to-do list. When they’re not caring for pterodactyls, sea serpents or shape-shifting gargoyles, the Monsterjunkies struggle with issues that are nearly universal among teenagers and young adults. Like all teens, Crow and Indigo learn—however unwillingly—that with time comes change. The animals they’ve nursed to health and loved like pets must eventually be reintegrated to the wild; their friend, Winter, crumbles before their eyes while attempting to cope with her mother’s death; and, perhaps most traumatically, they come to realize their parents aren’t infallible. As Crow’s fears mount, his father advises him: “It’s how you learn to know, to find out who you really are, what you feel, what you like and don’t like, what you need, what you believe. You may have to start by just listening.” Readers learn by listening, too—this tale of identity and self-approbation is accompanied by enough scientific facts and environmental philosophies to double as a high school textbook. Insightful but not overly self-righteous, it encourages compassion and a deference to the unknown.
A well-wrought sequel with more than a few excellent messages for young readers.Pub Date: June 27, 2014
ISBN: 978-1500348328
Page Count: 190
Publisher: CreateSpace
Review Posted Online: Aug. 30, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Review Program: Kirkus Indie
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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