A well-wrought sequel with more than a few excellent messages for young readers.
A peculiar family of cryptozoologists confronts the tides of change in this young-adult fantasy.
Shein and Gates (Being a Normal Family Is a State of Mind, 2014) deliver the second entry in their well-received Monsterjunkies saga set in Foggy Point, Maine. Cromwell “Crow” Monsterjunkie can’t stop looking over his shoulder, and for good reason: His nemesis, the bullying Ruth Grimes Jr., won’t live down the humiliation he suffered at Crow’s hands not long ago. But for Crow, whose family’s mission is “to find, protect, and study unusual, rare, and thought to be nonexistent species,” Ruth is the least of his worries. For instance, there’s Crow’s friend Beauregard—a highly intelligent sasquatch living under the Monsterjunkies’ care—who yearns to leave the family estate and seek his origins. Crow’s sister, Indigo, has grown petulant as college (and her future) looms. And Crow can’t find the words to tell his renowned professor father that inheriting the family legacy isn’t exactly on his to-do list. When they’re not caring for pterodactyls, sea serpents or shape-shifting gargoyles, the Monsterjunkies struggle with issues that are nearly universal among teenagers and young adults. Like all teens, Crow and Indigo learn—however unwillingly—that with time comes change. The animals they’ve nursed to health and loved like pets must eventually be reintegrated to the wild; their friend, Winter, crumbles before their eyes while attempting to cope with her mother’s death; and, perhaps most traumatically, they come to realize their parents aren’t infallible. As Crow’s fears mount, his father advises him: “It’s how you learn to know, to find out who you really are, what you feel, what you like and don’t like, what you need, what you believe. You may have to start by just listening.” Readers learn by listening, too—this tale of identity and self-approbation is accompanied by enough scientific facts and environmental philosophies to double as a high school textbook. Insightful but not overly self-righteous, it encourages compassion and a deference to the unknown.
A well-wrought sequel with more than a few excellent messages for young readers.Pub Date: June 27, 2014
ISBN: 978-1500348328
Page Count: 190
Publisher: CreateSpace
Review Posted Online: Aug. 30, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Review Program: Kirkus Indie
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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