by Erik Henry Vick ‧ RELEASE DATE: Oct. 25, 2017
An audacious novel with a hero that braves both mythical creatures and a disability.
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To save his family, a former New York state cop follows serial killers into a strange realm of gods and dragons in Vick’s (Devils, 2017, etc.) fantasy tale.
It’s been seven years since Hank Jensen was a state trooper. He’s been on disability for rheumatoid arthritis, which causes him near-constant pain; it seems to have started after a woman named Liz Tutor, a prime suspect in a series of killings, put a curse on him. Hank never managed to bring her to justice, nor was he able to arrest Chris Hatton, who all but admitted that he and Liz were the cannibalistic murderers known as the Bristol Butchers. When Hank’s wife, Jane, and 12-year-old son, Sig, don’t return from trick-or-treating on Halloween, he gets a phone call from Bobbie Timmens, his former neighbor, telling him to go to the cave that once housed the Butchers’ victims. There, he finds a colorful, oval mirror—a portal that takes Hank to a land in the midst of a blizzard. A man named Meuhlnir provides him with both refuge and information, and it turns out that there may be something to Liz’s and Chris’ strange claims of being gods. Hank teams up with powerful people called the Isir and, on the path to find his family, faces everything from elves to reanimated corpses. Vick’s Norse mythology–laden narrative is rife with figures that readers will recognize. Still, Hank’s condition makes him the most distinctive character; when he first heads out to rescue his family, he stocks up not only on ammunition, but also on pain meds. There’s a good deal of back story, including Hank’s initial investigation of Liz and Chris and how the Isir achieved power. The inevitable confrontations are enhanced by Vick’s energetic prose: “With a cacophony of savage, ear-splitting screams, the fire demons fell on the party of Isir.” The expansiveness of the story’s world(s), unfortunately, offsets the urgency of finding Jane and Sig. Nevertheless, the story is thoroughly resolved, and there’s a hint of how the series might continue.
An audacious novel with a hero that braves both mythical creatures and a disability.Pub Date: Oct. 25, 2017
ISBN: N/A
Page Count: 721
Publisher: Ratatoskr Publishing
Review Posted Online: Oct. 26, 2017
Kirkus Reviews Issue: Jan. 1, 2018
Review Program: Kirkus Indie
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Best Books Of 2015
Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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