by Erik A. Otto ‧ RELEASE DATE: March 3, 2018
A highly entertaining and absorbing combination of philosophy and action featuring robustly individualized characters.
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In this sci-fi novel, factions fight for survival and dominance generations after humans lost control of artificial intelligence.
In the near future, Axel Gillian becomes the security director for a rich, powerful corporation that has uncovered an enormous potential threat: open-source, artificial intelligence software that could become powerful enough to compete with and destroy humanity itself. Axel’s mission is to shut it down before this happens. Several generations later, what was once the United States is now divided into two realms, the Spoke lands and the Essentialist territory, lying roughly on either side of the Shenandoah Valley. To the west, Essentialists have more land and a numerical advantage over the Spokes; they view all technology with deep distrust for causing the calamitous Detonation. To the east, the Spokes are squeezed between the Essentialists and the eastern shore, which is overrun with disease and bandits. The Spokes’ comfort with machinery gives them more effective equipment, but both cultures must avoid using pre-Detonation electronics, which attracts retchers—birdlike creatures that vomit device-destroying acid. Expanding population pressures increase the conflict between the two sides, which are each beset by internal political and philosophical struggles. Among the many well-developed characters, key figures include Flora Clearwater, an Essentialist who joins a prisoner-exchange mission to the Spoke lands and has a secret agenda. Among the Spokes, young Owen of Seeville (once known as Charlottesville) joins an expedition to retrieve equipment from one of many “bike towers”: cylindrical warehouses each housing about 20,000 bicycles; this mission, too, has a secret objective. He winds up in Yorktown, which is led by elderly Madison Banks, formerly a Lord of Seeville. She’s among the “New Founders” who value democracy, and when she hears what’s going on in Seeville, she decides it’s time to go back. Meanwhile, an exciting, tense Essentialist-versus-Spoke showdown brews that will eventually pit one artificial intelligence against another and reveal Axel’s long-ago plan to protect the future. Otto (A Toxic Ambition, 2012) weaves together the many strands of this complicated, thoughtful, and exciting novel with great skill. He makes full use of the book’s sprawling length to present vivid characters and a future world that vibrates with conflicts and ideas. The story builds to bigger, increasingly exciting scenes of tension, battle, and violence, but Otto never forgets his characters’ humanity. The various subcultures get intriguing suggestions of richness, as when the cannibalistic leader of the Allegheny people wears “a lattice of bones cascading down her back, each one laced together by strands of her raggedy hair” and warns captors that she’ll “add your bones to my staircase.” Although many post-apocalyptic novels give readers landmarks that are recognizable from the modern world, Otto also introduces more mysterious elements, such as the aforementioned bike towers and colossal statues whose purposes are unimaginable. But these elements don’t merely baffle—they also provide real payoffs. In addition, Otto’s reflections on hubris and warnings about artificial intelligence have a chilling plausibility.
A highly entertaining and absorbing combination of philosophy and action featuring robustly individualized characters.Pub Date: March 3, 2018
ISBN: 978-0-692-06119-0
Page Count: 632
Publisher: CreateSpace
Review Posted Online: Jan. 31, 2018
Kirkus Reviews Issue: March 15, 2018
Review Program: Kirkus Indie
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by Erik A. Otto
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
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