A highly entertaining and absorbing combination of philosophy and action featuring robustly individualized characters.
In this sci-fi novel, factions fight for survival and dominance generations after humans lost control of artificial intelligence.
In the near future, Axel Gillian becomes the security director for a rich, powerful corporation that has uncovered an enormous potential threat: open-source, artificial intelligence software that could become powerful enough to compete with and destroy humanity itself. Axel’s mission is to shut it down before this happens. Several generations later, what was once the United States is now divided into two realms, the Spoke lands and the Essentialist territory, lying roughly on either side of the Shenandoah Valley. To the west, Essentialists have more land and a numerical advantage over the Spokes; they view all technology with deep distrust for causing the calamitous Detonation. To the east, the Spokes are squeezed between the Essentialists and the eastern shore, which is overrun with disease and bandits. The Spokes’ comfort with machinery gives them more effective equipment, but both cultures must avoid using pre-Detonation electronics, which attracts retchers—birdlike creatures that vomit device-destroying acid. Expanding population pressures increase the conflict between the two sides, which are each beset by internal political and philosophical struggles. Among the many well-developed characters, key figures include Flora Clearwater, an Essentialist who joins a prisoner-exchange mission to the Spoke lands and has a secret agenda. Among the Spokes, young Owen of Seeville (once known as Charlottesville) joins an expedition to retrieve equipment from one of many “bike towers”: cylindrical warehouses each housing about 20,000 bicycles; this mission, too, has a secret objective. He winds up in Yorktown, which is led by elderly Madison Banks, formerly a Lord of Seeville. She’s among the “New Founders” who value democracy, and when she hears what’s going on in Seeville, she decides it’s time to go back. Meanwhile, an exciting, tense Essentialist-versus-Spoke showdown brews that will eventually pit one artificial intelligence against another and reveal Axel’s long-ago plan to protect the future. Otto (A Toxic Ambition, 2012) weaves together the many strands of this complicated, thoughtful, and exciting novel with great skill. He makes full use of the book’s sprawling length to present vivid characters and a future world that vibrates with conflicts and ideas. The story builds to bigger, increasingly exciting scenes of tension, battle, and violence, but Otto never forgets his characters’ humanity. The various subcultures get intriguing suggestions of richness, as when the cannibalistic leader of the Allegheny people wears “a lattice of bones cascading down her back, each one laced together by strands of her raggedy hair” and warns captors that she’ll “add your bones to my staircase.” Although many post-apocalyptic novels give readers landmarks that are recognizable from the modern world, Otto also introduces more mysterious elements, such as the aforementioned bike towers and colossal statues whose purposes are unimaginable. But these elements don’t merely baffle—they also provide real payoffs. In addition, Otto’s reflections on hubris and warnings about artificial intelligence have a chilling plausibility.
A highly entertaining and absorbing combination of philosophy and action featuring robustly individualized characters.Pub Date: March 3, 2018
ISBN: 978-0-692-06119-0
Page Count: 632
Publisher: CreateSpace
Review Posted Online: Jan. 31, 2018
Kirkus Reviews Issue: March 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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