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A complex and riveting parallax view of domestic crimes, decades apart.

The 1892 story of accused axe murderer Lizzie Borden (and her maid) intersects with that of a domestic’s daughter in 2016.

Bridget, maid to the Borden family of Fall River, Massachusetts, has long been aware that there is something “off” about the Bordens, particularly the younger spinster daughter, Lizzie. Needing to send money home to her family in Ireland, however, she's convinced by Abby Borden to stay on. She feels sympathy for Mrs. Borden, the second wife of miserly mill owner Andrew Borden, who's never won the affection of her husband's eldest daughter, Emma. Emma, who still remembers her late mother, has also turned Lizzie, who doesn’t, against their stepmother. Cut to 2016. Brooke (real name Felicita), a Mexican-American woman whose mother, Magdalena, a housekeeper, died when she was 13, is on the run. After aging out of foster care, she’s in the latest of many apartments, under the latest of many assumed names, working the latest menial, under-the-table job. The reason for all this subterfuge emerges in flashbacks: years ago, the night Magdalena’s affair with her wealthy employer was exposed, the employer’s wife drowned. Brooke is convinced that the employer’s two sons were responsible for Magdalena’s "accidental" death and that now they are after her: she's received sinister messages reminding her that “Revenge is a dish best served cold.” Genealogy sites reveal that Brooke's absent father, known on her birth certificate only as “Dirtbag,” was a Belgian exchange student and a descendant of an illegitimate child of none other than Lizzie Borden, who fled to Europe to give birth. Thus these parallel stories converge. The reimagination of the many grievances that possibly stoked Lizzie’s murderous rage is fascinating, but the extensive rehash of the familiar forensics surrounding the infamous “40 whacks” overshadows more intriguing questions surrounding the legitimacy of Brooke’s paranoia. The period-esque language of the 1890s portions is mostly convincing if at times overly ornate.

A complex and riveting parallax view of domestic crimes, decades apart.

Pub Date: Oct. 30, 2017

ISBN: 978-0-9970664-4-9

Page Count: 398

Publisher: Bonhomie Press

Review Posted Online: Aug. 5, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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