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BECOMING HUNGARIAN

A stirring account of the author’s search for identity amid dislocation.

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Giles reconstructs her family’s perilous escape from Communist-controlled Hungary and recounts her attempt to reconcile her American upbringing with her Hungarian ancestry in this memoir.

The author’s parents, Sándor and Vilmy Reich, enjoyed a happy and prosperous life in Szombathely, a Hungarian town only 10 miles from the Austrian border. Sándor worked for his father, the founder and owner of a thriving factory, where Vilmy worked as well as a payroll clerk. However, in 1948, all that changed when Soviet-backed Communists took over the factory, eventually leaving both Sándor and his father jobless. Only a month later, the author was born into this familial crisis, which dramatically concluded with a dangerous escape to Austria, one thrillingly described by Giles. They ultimately made their way to Billings, Montana, enticed by the draw of “enclaves of Hungarian refugees,” and attempted to begin their lives anew, though they were now much more financially constrained. Giles had no personal remembrance of her homeland, and no sentiment of national pride; she did her best to be American, impressed by how “carefree” her countrymen seemed in comparison to her own family, who were emotionally freighted with worry and trauma. Their alienation was only heightened by the profound challenges they faced: Giles’ mentally challenged younger brother, Robie, was sent to reside in a state institution. Additionally, the author and her family witnessed a murder, they but were too afraid to alert the authorities (an expression of immigrant insecurity, per Giles). The author eventually became deeply interested in her roots and began to pepper her parents with questions about their past—her curiosity culminated in her own trip to Hungary with her husband, Leon. Giles poignantly depicts her experiences there and the elusive sense of identity the visit finally restored. (“For the first time in my life, I am whole.”)

Giles’ account is now a familiar one—there are so many memoirs like it by nationally dispossessed children like herself—so readers should not expect great originality here. Nonetheless, this is a profoundly affecting story, written in thoughtfully lucid prose. The author endeavored to bury her ancestral origins—her experience in college made her feel “unshackled” from both her past and her heritage. (“I navigated between my Hungarian and American worlds, trying to keep them separate, never feeling fully part of either one.”) As she grew older, though, she became increasingly dissatisfied with a gnawing “sense of rootlessness,” an incompleteness exacerbated by the tangle of family secrets that were only ever begrudgingly clarified. What emerges in Giles’ account is not only a vivid portrayal of Hungarian culture and the pressure it endured under tyranny, but also the peculiarity of American culture, famously hospitable to exiled foreigners, but also, paradoxically, insistent on an emotionally costly assimilation. Especially during a time when immigration has become such a contentious political issue, this is an edifying remembrance, one that tenderly and intimately reminds the reader of the human stakes.

A stirring account of the author’s search for identity amid dislocation.

Pub Date: June 4, 2024

ISBN: 9798218336974

Page Count: 288

Publisher: Montiron Press

Review Posted Online: July 8, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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