An unsentimental but ultimately unconvincing play about an Indian girl navigating the teenage wasteland.
A Native American adolescent in rural Colorado dreams of a life beyond the weary grind of her small town.
Teacher and poet Wurth (Creative Writing/Western Illinois Univ.; Indian Trains, 2007) infuses her debut novel with impassioned teen spirit, but the pedestrian nature of the challenges it presents to its tough narrator leaves something to be desired. Sixteen-year-old Margaritte is Native American on her mother’s side, white on her father's, and all kinds of pissed off about her lot in life. Between going to high school, working a drab job as a waitress, selling weed with her cousin Jake, and dealing with her alcoholic father and her mother’s denial, the kid has a lot of angst on her plate. She gets quite dreamy when she starts sleeping with a new boyfriend named Mike, a coke-addled jackass who cheats on her with one of her friends. As happens, Margaritte turns up pregnant, which is a bit clichéd for a character who gets stabbed in the first chapter during a drug deal. “I want to…I don’t know what I want!” shouts Margaritte at her boyfriend. “I don’t want to be a teenage mother! Another fucking Indian statistic. I don’t want my mother’s life.” The rest of the story trails out in kind of extreme ways. Margaritte's cousin Jake is arrested when he assaults Mike in the hospital after an overdose. Margaritte is nearly killed when her father drunkenly runs the family into a ditch during an argument. There’s supposed to be some will-she-or-won’t-she tension over whether Margaritte will have an abortion, which feels like it came straight out of a freshman creative writing class. Margaritte has an interesting voice, and Wurth gives the environment a gritty patina, but there’s not enough of an emotional arc to warrant the drama here.
An unsentimental but ultimately unconvincing play about an Indian girl navigating the teenage wasteland.Pub Date: Sept. 9, 2014
ISBN: 978-1-940430-43-0
Page Count: 400
Publisher: Curbside Splendor
Review Posted Online: June 14, 2014
Kirkus Reviews Issue: July 1, 2014
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...
Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).
At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.Pub Date: Feb. 9, 2009
ISBN: 978-0-312-36410-6
Page Count: 400
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2008
A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).
The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....
Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.
Pub Date: Jan. 28, 1976
ISBN: 0385121679
Page Count: 453
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1976
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