WHITE HORSE

An engrossing modern horror story that blends the power of Indigenous spiritualism with earthly terrors.

An Indigenous woman encounters the supernatural when she touches her missing mother’s old bracelet and raises a monster.

Kari James would be the first to tell you she’s not a traditional Indigenous woman. “I was more of a work at the bar, go to the bar, thrash at a heavy metal concert kind of Indian than a powwow Indian,” she admits. In her mid-30s, Kari lives a disorderly life. She cares for her disabled father but still revels in late nights drinking and smoking at her favorite dive bar, White Horse, and enjoying the music of headbanger Dave Mustaine, the horror novels of Stephen King, and the occasional random hookup. She's mostly ignored the spiritual aspects of her Apache and Chickasaw ancestors, preferring a good party instead. Then her cousin Debby finds an old family bracelet that once belonged to Kari’s mother, who'd vanished when Kari was a baby. Kari has always assumed her mother abandoned her, but when she touches the bracelet, she experiences violent, troubling visions about the past and her family, and a dangerous monster is unleashed. Set in and around Denver and its neighboring communities, this is a unique, dark twist on the modern ghost story that deftly blends an understanding of the mysticism of Indigenous culture with the horrors of poverty, abuse, and addiction. Sometimes the plot feels a bit chaotic, but the tumult mirrors Kari’s roiling emotions. She’s haunted not only by her mother’s disappearance, but also by the death of her best friend from an overdose, a tragedy Kari believes she could have prevented. As Kari fumbles toward the truth about her family and faces off against a nightmarish entity, Wurth—who is of Apache/Chickasaw/Cherokee descent—paints a compelling portrait of friendship, love, and the quest for self-respect, offering a fierce and generous vision of contemporary Native American life.

An engrossing modern horror story that blends the power of Indigenous spiritualism with earthly terrors.

Pub Date: Nov. 1, 2022

ISBN: 978-1-2508-4765-2

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: Aug. 1, 2022

Kirkus Reviews Issue: Aug. 15, 2022

HOLLY

Loyal King stans may disagree, but this is a snooze.

A much-beloved author gives a favorite recurring character her own novel.

Holly Gibney made her first appearance in print with a small role in Mr. Mercedes (2014). She played a larger role in The Outsider (2018). And she was the central character in If It Bleeds, a novella in the 2020 collection of the same name. King has said that the character “stole his heart.” Readers adore her, too. One way to look at this book is as several hundred pages of fan service. King offers a lot of callbacks to these earlier works that are undoubtedly a treat for his most loyal devotees. That these easter eggs are meaningless and even befuddling to new readers might make sense in terms of costs and benefits. King isn’t exactly an author desperate to grow his audience; pleasing the people who keep him at the top of the bestseller lists is probably a smart strategy, and this writer achieved the kind of status that whatever he writes is going to be published. Having said all that, it’s possible that even his hardcore fans might find this story a bit slow. There are also issues in terms of style. Much of the language King uses and the cultural references he drops feel a bit creaky. The word slacks occurs with distracting frequency. King uses the phrase keeping it on the down-low in a way that suggests he probably doesn’t understand how this phrase is currently used—and has been used for quite a while. But the biggest problem is that this narrative is framed as a mystery without delivering the pleasures of a mystery. The reader knows who the bad guys are from the start. This can be an effective storytelling device, but in this case, waiting for the private investigator heroine to get to where the reader is at the beginning of the story feels interminable.

Loyal King stans may disagree, but this is a snooze.

Pub Date: Sept. 5, 2023

ISBN: 9781668016138

Page Count: 464

Publisher: Scribner

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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