Carlyle spins lyrical realities and grim fantasies in her first collection of poetry.
Set against the dreamy backdrop of an uncanny American South, the poet weaves together more than 30 poems that explore family dynamics, awakening sexuality, unexpected dangers, and the lasting, systemic effects of poverty and drug abuse. The author draws from her own upbringing in Kentucky and Alabama but infuses her recollections with fairy-tale logic and mythic figures. Some girls are depicted as ghostly sirens in creeks or as corpses that eerie “Rivermen” might dredge up. The woods are populated with strange desires, and there are references to the Animal, a totemic creature apparently located at the precipice of puberty. A pain clinic is portrayed as both a church and temptation, with the pills it doles out as the only communion available. Carlyle’s poetry will absorb readers with lush imagery that doesn’t shy away from the carnal and disturbing: “What man made their bodies into tables—arms and legs bent backward, / a coffee cup on the sternum?” The poetry also makes use of space, with stanzas strategically formatted to draw attention to specific thoughts or words and entire sections that call back to others, adding to the cyclical, fablelike quality of the collection. Carlyle’s poems resonate with lived experience; in an interview, she acknowledges that some of her subject matter was influenced by her family’s struggles with opioids, which contributed to her father’s death in 2019. There’s a clear sense of loss in these poems, which helps to transform a paean to rural adolescent girlhood into a catharsis for both the poet and the reader.
A set of works suffused with wonder, terror, and honesty.Pub Date: Dec. 15, 2020
ISBN: 978-1-949065-08-4
Page Count: 78
Publisher: Driftwood Press
Review Posted Online: Sept. 17, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
Categories: LITERARY FICTION | GENERAL FICTION
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A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.
37
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Exes pretend they’re still together for the sake of their friends on their annual summer vacation.
Wyn Connor and Harriet Kilpatrick were the perfect couple—until Wyn dumped Harriet for reasons she still doesn’t fully understand. They’ve been part of the same boisterous friend group since college, and they know that their breakup will devastate the others and make things more than a little awkward. So they keep it a secret from their friends and families—in fact, Harriet barely even admits it to herself, focusing instead on her grueling hours as a surgical resident. She’s ready for a vacation at her happy place—the Maine cottage she and her friends visit every summer. But (surprise!) Wyn is there too, and he and Harriet have to share a (very romantic) room and a bed. Telling the truth about their breakup is out of the question, because the cottage is up for sale, and this is the group’s last hurrah. Determined to make sure everyone has the perfect last trip, Harriet and Wyn resolve to fake their relationship for the week. The problem with this plan, of course, is that Harriet still has major feelings for Wyn—feelings that only get stronger as they pretend to be blissfully in love. As always, Henry’s dialogue is sparkling and the banter between characters is snappy and hilarious. Wyn and Harriet’s relationship, shown both in the past and the present, feels achingly real. Their breakup, as well as their complicated relationships with their own families, adds a twinge of melancholy, as do the relatable growing pains of a group of friends whose lives are taking them in different directions.
A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.Pub Date: April 25, 2023
ISBN: 9780593441275
Page Count: 400
Publisher: Berkley
Review Posted Online: Feb. 23, 2023
Kirkus Reviews Issue: March 15, 2023
Categories: ROMANCE | CONTEMPORARY ROMANCE | GENERAL ROMANCE | GENERAL FICTION
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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Categories: ROMANCE | CONTEMPORARY ROMANCE | GENERAL ROMANCE | GENERAL FICTION
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