Testosterone-soaked take on the Devil Wears Prada model.



Ambitious young woman faces numerous obstacles after breaking into the male-dominated world of bond trading.

Inspired by her father’s long career in finance, Alex Garrett knew from an early age that she would end up working on the Street. So when top brokerage firm Cromwell Pierce recruits her right out of college, she feels a certain sense of destiny. Her optimism fades, naturally, when she arrives at the chaotic bond-trading floor to discover that she does not have a desk, just a folding chair. Her gruff boss Ed “Chick” Ciccone dubs her “Girlie” and makes it clear that she might be logging years as an indentured servant (aka analyst) for the team before the possibility of actually selling any bonds. Her duties include fetching coffees and lunches while trying to learn the super-complex workings of the finance business. The hours are grueling and the hazing never stops—at least until a new victim arrives. As punishment for showing up late one day, she is dispatched to the Bronx to procure meatball heroes and a 50-pound wheel of parmesan—and is stuck with the $1,200 lunch tab. Still, there is an absurd amount of money to be made, as she discovers when she is given a $110,000 bonus after her first full year with the company. Alex’s good looks also attract the attention of colleagues and clients alike, and she begins a clandestine relationship with office cutie Will Patrick, a seemingly nice guy who mysteriously goes missing every weekend. At the same time, married (and filthy rich) hedge-fund manager Rick Kieriakis takes a shine to her, peppering her with unwanted, stalker-like messages. His behavior crosses the line, but knowing that it is her word against his, Alex grits her teeth and tolerates him—to a point. Then the 2008 financial crisis arrives, throwing the whole industry into a tailspin and prompting Alex to choose between money and self-respect. Finance veteran Duffy’s topical fly-on-the-wall debut skirts the darker issues of Wall Street’s role in the world, but still makes for a compelling, fun read.

Testosterone-soaked take on the Devil Wears Prada model.

Pub Date: Feb. 1, 2012

ISBN: 978-0-06-206589-6

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 4, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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