A puzzler that is both brainy and full of satisfying narrative brawn.
A clairvoyant with a secret past visits a town to assist a missing person investigation and finds herself navigating even more mysteries than she bargained for.
“Every space was haunted by something,” muses Mary, the protagonist of Ryan’s inventive debut. It is Bladen County, North Carolina, in 1961, and Mary, a White New Englander, has arrived clutching a MISSING poster of Polly Starking, a local White girl who has disappeared. Mary is there to work: She has “the Sight,” and her particular psychic ability manifests in visions of missing girls. But her desire to help is only partly based on altruism. Alone, unmarried, and running from her former life, she desperately needs the reward money from cases like Polly’s. The townspeople blow hot and cold about Mary’s presence: They desire her help at the same time they deeply mistrust her. As the sheriff attempts to get Mary to leave, Mary encounters Martha, a Black motel maid who is willing to help Mary navigate her day-to-day needs for food and shelter (as well as the nuances of the Jim Crow South) if Mary will use her abilities to find two other missing girls the town isn’t talking about—two Black girls, Evie and Jack, who are in a romantic relationship. Based on the real-life disappearance of Bennington student Paula Jean Welden in 1946, Ryan’s novel takes up what true-crime aficionados would call the “less dead”: victims of violence or missing people from marginalized communities who fail to garner the same attention as idealized victims—namely, straight young White women. Ryan takes a meta approach here; the novel is as much about the way we mythologize this type of missing and murdered victim as it is a twisty mystery about Mary’s hunt for Polly, Evie, and Jack.
A puzzler that is both brainy and full of satisfying narrative brawn.Pub Date: March 8, 2022
ISBN: 978-0-593-13343-9
Page Count: 272
Publisher: Random House
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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