A moving and unflinching paean to a man who died at the top of his game: “Sort of a mic drop, really.”
Life with father isn’t easy—not when father is the one-time drug addict David Carr, noted journalist and author of the searing memoir Night of the Gun (2008).
Documentary filmmaker Carr delivers an affecting memoir of growing up under decidedly difficult circumstances—e.g., being left in a freezing car in her snowsuit while her father checked into a crack den to get high. But that’s just part of it. Carr the elder turned his life around when it dawned on him that two unhealthy parents were not good for two budding daughters, even if he sublimated his addictions with too many cigarettes, too much coffee, and too much work in the quest for the Pulitzer Prize that, as a reporter and critic for the New York Times, always eluded him. The combination, plus the years of hard living, killed him: “58,” writes the author. “Who dies that young? No one had ever prepared me for his dying that young.” True, but he did prepare his daughter well for life as a writer, giving her the same lessons he gave to his many university students about being honest with oneself and working the phones rather than relying on email. “What will set you apart,” he wrote, “is not talent but will and a certain kind of humility, a willingness to let the world show you things that you play back as you grow as an artist. Talent is cheap.” Carr is relentless in describing the chemical failings that the world revealed to her, especially in reliance on alcohol, which she’s quit. She’s also very good in distilling the lessons her father taught her without being sentimental: “When it comes time to pimp your own stuff, you have credibility” is vintage Carr, in all its tough-guy–ism, and ought to inspire other young would-be journalists and writers as they pay their dues.
A moving and unflinching paean to a man who died at the top of his game: “Sort of a mic drop, really.”Pub Date: April 30, 2019
ISBN: 978-0-399-17971-6
Page Count: 256
Publisher: Ballantine
Review Posted Online: Feb. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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