by Erin Pringle ‧ RELEASE DATE: May 1, 2017
Readers willing to immerse themselves in sorrow, and sometimes in narratives that twist and shimmer before taking definite...
Pringle (The Floating Order, 2009) works nine variations on the theme of grief in the wrenching stories of her second collection.
Her protagonists, often children and often unnamed, live lonely days in the small towns or isolated farmhouses of the upper Midwest, flattened by heat in the summer and risking death from exposure in the winter. Shell-shocked by loss, haunted by ghosts and the eerie birds that reappear in all the stories, they make choices that send them deeper into danger. One girl, whose sister ended up dead in a pond after last year’s agricultural fair, roams country roads alone at night picking up aluminum cans and finds a wounded carnie. Another girl dodges the mines planted in their backyard by a brother damaged by the war in the Middle East, and another deals in her own way with a mother who has just died from a brain aneurysm. A boy, who nearly dies in a drainage ditch when he goes out of the house in the morning before his parents are awake, finds himself haunted by his own ghost; a man whose wife has just suffered a miscarriage finds an eerie collection of jars of dead aquarium fish in the house from which his grandfather is moving to a retirement community. The characters dream intensely, waking in terror, and the stories themselves have a dreamlike intensity heightened by Pringle’s lyrical voice. Though the theme of all the stories is the same, and many of the characters have a family resemblance, the stories don’t feel repetitious: they remind the reader instead of how many strange shapes grief can take and how universal a human experience it is.
Readers willing to immerse themselves in sorrow, and sometimes in narratives that twist and shimmer before taking definite shape, will find reflected in these stories the unsteady path of coming back to life—or not—after loss.Pub Date: May 1, 2017
ISBN: 978-1-943665-58-7
Page Count: 240
Publisher: Vandalia Press/West Virginia Univ.
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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