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THE WAY HOME

A GERMAN CHILDHOOD, AN AMERICAN LIFE

With its bit of Teutonic flavor, this isn’t the story of a typical Jersey Girl—nor is it the most unusual or gripping of...

The spouse of the former senator from New Jersey speaks about her history and emotional life.

In an autobiography characterized by such thoughts, Ernestine Bradley reveals that sometimes she thinks of herself as “a mangrove tree with roots hanging in the air,” a conceit prompted principally by her childhood in postwar Germany. What with American soldiers, ersatz sausages, lice, and a truck that was fueled by wood, it seems to have been the worst of times for kleine Wuschi and her family in the Bavarian town of Passau. She had, it appears, two fathers. There was the loving biological one, who was a member of the Luftwaffe, and then there was the hairdresser, a member of the Nazi party, who was a temporary loving father of convenience for a while. It’s little wonder that an operatic attitude dominates the first part of this before-and-after story. In the 1950s, when she was 21 (and had excellent language skills), Ernestine emigrated to the US and the excitement of New York, working as a Pan Am stewardess. Soon, she was living in Atlanta, the wife of a physician and the parent of a daughter. But that life didn’t work out. Next, divorced and back in New York, she met the smart pro basketball player. She joined the academic world and settled in New Jersey, married to terrific Bill Bradley. He is, she assures us, the best of husbands, especially during her victorious bout with breast cancer. There are certain lacunae, to be sure, with virtually nothing relating to Senator Bill’s career or his run for the Oval Office. Rather, here’s Oprah-style self-awareness, presented with careful skill. It might not have helped a presidential campaign, anyway.

With its bit of Teutonic flavor, this isn’t the story of a typical Jersey Girl—nor is it the most unusual or gripping of revelatory journeys.

Pub Date: March 1, 2005

ISBN: 0-375-42279-X

Page Count: 272

Publisher: Pantheon

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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