Chango’s Fire is, therefore, a rough patch in the road. Still, Quiñonez appears to be on his way to artistic maturity.

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CHANGO’S FIRE

Making do and getting by in present-day Spanish Harlem.

Quiñonez’s second, after his well-received debut, Bodega Dreams (2000), follows narrator Julio Santana, a high-school dropout nearing 30 who supports himself and his parents by working on a demolition crew while also attending night school—and freelancing as an arsonist who torches buildings as part of an insurance scam. Julio’s smart, reflective voice is one of the chief pleasures here, as evidenced by its arresting first sentence: “The house I’m about to set on fire stands alone on a hill.” Quiñonez gradually introduces other characters who define and complicate Julio’s relationship to his down-and-out world. He genuinely loves and respects his devout mother and layabout father (a former salsa musician softened by “hard living”). He watches over his “retard” buddy Trompo Loco, who believes he’s the illegitimate son of Julio’s firebug boss Eddie Naglioni. And he’s more chaotically involved with his childhood friend and enemy, belligerent socialist-social activist Maritza; self-styled Santeria priest “Papelito”; and a white woman named Helen, whose artistic preoccupations and liberal guilt simultaneously attract and repel him. There are echoes of James Baldwin’s Another Country in this bumpy story’s blend of ethnic identities and sexual persuasions. But it’s redundant, and its vise-grip plot—in which a misjudgment Julio makes during a “burning” puts him under Eddie’s thumb—isn’t wholly credible. What’s best about Chango’s Fire (whose title alludes to the Santeria “life force”) are Quiñonez’s ingeniously detailed revelations of how people cheat and improvise, to survive in an impoverished and dangerous racist environment. This is an author who knows his material. But next time out he needs to embody it in situations and characters more believable and compelling.

Chango’s Fire is, therefore, a rough patch in the road. Still, Quiñonez appears to be on his way to artistic maturity.

Pub Date: Oct. 1, 2004

ISBN: 0-06-056459-8

Page Count: 288

Publisher: Rayo/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.

A WEEK AT THE SHORE

A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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