The scaly beast is definitely the star, but pre-attack scenes are rife with genuine trepidation and multidimensional...
Texans inadvertently discover a 40-foot prehistoric, dinosaur-eating crocodile ready to escape its subterranean lair in this debut thriller.
Jesse Perrine’s spelunking excursion with friends Jake Hew and Cody Hughes is cut short when an injury knocks Cody out cold. The two cohorts get Cody to safety using a tarp found in the cave and are in for a shock: the tarp’s actually a reptile hide. They show the pelt to Jesse’s Texas State professor Tom Morrison, who surmises that an enormous and (supposedly) extinct crocodile lives in the Texas aquifer. Or alligator, which Tom can verify when, at his suggestion, the trio returns to the cave for “the discovery of the century.” There’s definitely something down there, as well as a few human bodies, but trouble’s brewing aboveground. TJ Howlett, before his dad’s partner gets controlling interest of HNH Oil Company, hopes to strike oil on an HNH project in reality owned by TJ’s reputedly defunct business. Desperate to crack through the granite dome blocking the drilled hole, operator Clint Marshall opts for something faster, dangerous, and not exactly legal. What he does literally shakes central Texas. It also triggers a cave-in, trapping Jesse, Jake, and Tom inside with a gargantuan crocodile—and possibly creating a passage for the creature to squeeze through and wreak chaos in the city. The novel excels at what other giant-monster stories often skip: character development and suspense. Jesse’s girlfriend, Rita Martin, for example, is more than just his love interest. She and her friend Katie are experienced rock climbers and the men’s would-be rescuers. Relationships, too, are fascinating, like Katie’s with her father, whose reveal is a surprise. Readers will be more on edge than Jesse, et. al., since they are privy to the fact that Aquasaurus, which the narrative eventually calls the creature, is indeed in the cave. There’s astonishingly little violence, but then the monster, whose ferocity is unmistakable, is a topic of discussion more often than a physical presence. Lee ends with an all-around solid wrap-up, including comatose Cody and a character (or two) who doesn’t make it, with a wide opening for another book.
The scaly beast is definitely the star, but pre-attack scenes are rife with genuine trepidation and multidimensional characters.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Aim-Hi Publishing
Review Posted Online: April 9, 2016
Kirkus Reviews Issue: June 1, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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