The scaly beast is definitely the star, but pre-attack scenes are rife with genuine trepidation and multidimensional...
Texans inadvertently discover a 40-foot prehistoric, dinosaur-eating crocodile ready to escape its subterranean lair in this debut thriller.
Jesse Perrine’s spelunking excursion with friends Jake Hew and Cody Hughes is cut short when an injury knocks Cody out cold. The two cohorts get Cody to safety using a tarp found in the cave and are in for a shock: the tarp’s actually a reptile hide. They show the pelt to Jesse’s Texas State professor Tom Morrison, who surmises that an enormous and (supposedly) extinct crocodile lives in the Texas aquifer. Or alligator, which Tom can verify when, at his suggestion, the trio returns to the cave for “the discovery of the century.” There’s definitely something down there, as well as a few human bodies, but trouble’s brewing aboveground. TJ Howlett, before his dad’s partner gets controlling interest of HNH Oil Company, hopes to strike oil on an HNH project in reality owned by TJ’s reputedly defunct business. Desperate to crack through the granite dome blocking the drilled hole, operator Clint Marshall opts for something faster, dangerous, and not exactly legal. What he does literally shakes central Texas. It also triggers a cave-in, trapping Jesse, Jake, and Tom inside with a gargantuan crocodile—and possibly creating a passage for the creature to squeeze through and wreak chaos in the city. The novel excels at what other giant-monster stories often skip: character development and suspense. Jesse’s girlfriend, Rita Martin, for example, is more than just his love interest. She and her friend Katie are experienced rock climbers and the men’s would-be rescuers. Relationships, too, are fascinating, like Katie’s with her father, whose reveal is a surprise. Readers will be more on edge than Jesse, et. al., since they are privy to the fact that Aquasaurus, which the narrative eventually calls the creature, is indeed in the cave. There’s astonishingly little violence, but then the monster, whose ferocity is unmistakable, is a topic of discussion more often than a physical presence. Lee ends with an all-around solid wrap-up, including comatose Cody and a character (or two) who doesn’t make it, with a wide opening for another book.
The scaly beast is definitely the star, but pre-attack scenes are rife with genuine trepidation and multidimensional characters.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Aim-Hi Publishing
Review Posted Online: April 9, 2016
Kirkus Reviews Issue: June 1, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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