In her debut, Grey Wolf delivers a highly detailed, densely populated sci-fi adventure.
In this first volume of her meticulously plotted Beneath the Surface saga, Grey Wolf describes a brutal future society in which humans’ ingenuity and survival instincts lead to devastating consequences. The expanding sun threatens to destroy the Earth in the 38th century, so humans set off in arklike spaceships for planets with ancient Greek and Norse names (Freya, Titan, and so on). Such a mass exodus should provide an opportunity for nations to reimagine and improve their societies—but instead they engage in bloody wars, racism and enduring animosity as they grab for resources. Grey Wolf moves from a broad description of this fictional universe to focus on the story of Erren Archer, a boy born on a spaceship bound for the planet Midgard, and his older brother Sean, both of whom have telepathic powers. When the boys are separated, they must use their survival skills and unique powers to reunite. Grey Wolf’s worldbuilding is so complete that she includes an extensive index of calendars (such as “Freya’s Tertiary Sub-Year” and “Days of the Week: A Brief History”), geographical and technological maps, an appendix of abbreviations and explanations of spiritual systems; the book even provides intermittent original poetry that strives for literary gravity. The writing style tends to tell more often than show, but readers more interested in plot and setting will likely forgive occasional stiff dialogue and sketchily drawn characters. At more than 600 pages, readers may find this initial installment hard going at times, but Grey Wolf’s universe is simply too wide-ranging for anything less.
A hyperdetailed addition to the sci-fi genre.Pub Date: Nov. 1, 2012
ISBN: 978-1480200456
Page Count: 622
Publisher: CreateSpace
Review Posted Online: Dec. 18, 2012
Review Program: Kirkus Indie
Categories: GENERAL SCIENCE FICTION & FANTASY | SCIENCE FICTION | GENERAL SCIENCE FICTION
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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
61
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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Hits the marks for spooky thrills and mysterious chills.
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A former thief who specialized in stealing magical documents is forced back into her old habits in Black's adult debut.
Charlie Hall used to work as a thief, stealing for and from magicians—or rather, “gloamists.” In this world, gloamists are people with magical shadows that are alive, gaining strength from the gloamists' own blood. A gloamist can learn to manipulate the magic of their shadow, doing everything from changing how it looks to using it to steal, possess a person, or even murder. Gloamists hire nonmagical people like Charlie to steal precious and rare magical documents written by their kind throughout history and detailing their research and experiments in shadow magic. Gloamists can use onyx to keep each other from sending shadows to steal these treasures, but onyx won't stop regular humans from old-fashioned breaking and entering. After Charlie’s talent for crime gets her into too much trouble, she swears off her old career and tries to settle down with her sensible boyfriend, Vince—but when she finds a dead man in an alley and notices that even his shadow has been ripped to pieces, she can’t help trying to figure out who he was and why he met such a gruesome end. Before she knows it, Charlie is forced back into a life of lies and danger, using her skills as a thief to find a book that could unleash the full and terrifying power of the shadow world. Black is a veteran fantasy writer, which shows in the opening pages as she neatly and easily guides the reader through the engrossing world of gloamists, magical shadows, and Charlie’s brand of criminality. There's a lot of flipping back and forth between the past and the present, and though both timelines are well plotted and suspenseful, the story leans a touch too hard on the flashbacks. Still, the mystery elements are well executed, as is Charlie’s characterization, and the big twist at the end packs a satisfying punch.
Hits the marks for spooky thrills and mysterious chills.Pub Date: May 3, 2022
ISBN: 978-1-250-81219-3
Page Count: 320
Publisher: Tor
Review Posted Online: Feb. 5, 2022
Kirkus Reviews Issue: March 1, 2022
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