Some memorable detail and wry observations, but capricious character behavior and too many anticlimaxes will frustrate...
Four young lives intersect in contemporary Greece.
Athenian slacker Sid spends days on the couch, heckled by pet mynah bird Maria, and nights in the taverna, where he meets the vaguely Goth girl Julia, his idea of a black-magic woman. They have a desultory affair. Sid’s sister Lia is in an Athens hospital, expected to die of a rare ailment, the exact nature of which her doctor can’t—or won’t—disclose. Her nurse-nemesis, Sotiris, hails from a coastal village and makes frequent visits home, where he stalks a young girl. His quarry is Nina, age 13, sent by her parents to live with her aunt and help out in the aunt’s café. From afar, Nina worships a boy summering in the village with his bourgeois family. A budding writer, she is acutely attuned to her surroundings and condemns other people as “zombies.” She senses she is being followed, and at one point, Sotiris exposes himself to her. Lia asks Sid to get even with Sotiris. Sid, posing as Sotiris’s old school friend Thanási, saddles him with Maria the mynah. Lia sneaks a look at her medical file, and is caught by Sotiris, who slugs her. From then on, he lives in fear she’s going to report him. She’s learned her diagnosis, “Hcnvmb,” a condition, her doctor explains, in which the body’s immune system rallies to fight a non-existent virus. Summoned to the village by Sotiris, Sid/Thanási witnesses the departure of Nina’s crush, Stephanos. Sotiris then enlists him in a failed attempt to “get rid” of Nina. Back in Athens, Sotiris meets Julia, a student physician’s assistant. They get engaged. She notes the strange coincidence of two boyfriends with the same mynah. Shortly after a last visit to Lia, Sid recalls, with odd detachment, the fact that she died alone after he ignored her request to stay the night.
Some memorable detail and wry observations, but capricious character behavior and too many anticlimaxes will frustrate readers.Pub Date: Dec. 1, 2006
ISBN: 1-56656-661-4
Page Count: 288
Publisher: Interlink
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2006
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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