A daring, triumphant work of searing beauty.
An Israeli writer gives an in-depth interview that unravels the story of his life and art.
Most interviews purport to expose some previously unknown truth, however trivial, about the interview subject. Nevo’s new novel asks the question: What would it mean for the interviewee to actually tell that “truth”—and how might the idea of truth telling be complicated if the interviewee were in the business of fiction writing? In trenchant, lovely prose—beautifully translated by Silverston—Nevo uses the unconventional structure of a literary interview to reveal the cracks in the facade of a writer’s relationship to himself, his work, and the world. Nevo excels at revealing—and reveling in—the exquisite within the mundane. As the interviewer moves from question to question, the protagonist leads the reader through various vignettes of his life; though the questions themselves range from basic to profound, each answer pulls the reader further into the protagonist’s vibrant inner world. The juxtaposition of the artificial medium of the interview with the increasing vulnerability that the writer displays in his answers is quietly radical. The emotional stakes are further heightened, and the narrative propelled, by the sometimes-jarring nature of this sort of structure: Often, the interviewer interrupts the narrative with a new question just at the point when a section is at its most moving or engrossing. The result is a compelling page-turner of quiet beauty and power. Drawing upon a rich Jewish literary heritage that stretches from Bialik to Oz to Roth, Nevo pushes the boundaries of fiction both formally and thematically, challenging the reader at every turn to reconsider their conceptions of the relationship between truth and fiction.
A daring, triumphant work of searing beauty.Pub Date: Oct. 13, 2020
ISBN: 978-163542-987-9
Page Count: 352
Publisher: Other Press
Review Posted Online: Sept. 15, 2020
Kirkus Reviews Issue: Oct. 1, 2020
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A shaky balance between saccharine and sage will nevertheless appeal to the author’s fans and readers seeking balm.
An elderly man’s posthumous journey back through his life has unexpected consequences for several people, and lessons for everyone.
It is a truth universally acknowledged that readers adore any novel set in a reading group, bookshop, or library, from the terribly sad (The Guernsey Literary and Potato Peel Pie Society, 2008) to the puzzle-heavy (Mr. Penumbra’s 24-Hour Bookstore, 2012) to the downright clever (The Uncommon Reader by Alan Bennett, 2007). Haig, who’s already written The Midnight Library (2020), mines a similar vein in this novel centered on a bookseller named Wilbur Budd; place this one in the seriously sentimental category. Wilbur dies at 81 just after receiving a call from his ex-wife, Maggie. He finds himself on a classic steam-train carriage, accompanied by a younger version of the woman who founded the bookstore he turned into a global conglomerate. As Mrs. Agnes Bagdale explains, he’s on a trip to significant places and events from his life, but he’s forbidden from interfering in them, thus possibly changing the course of other people’s lives. True to his maverick tendencies, Wilbur struggles with the three rules of the train (“You get on and off the train as required. You never try and speak to yourself. And you must never be there when you fall asleep”) and struggles even more mightily as he realizes that Maggie was his true love and lifelong lodestar. While some moments verge on maudlin, as when Wilbur and Maggie goggle at Venice during their honeymoon, these are tempered by quieter observations, as when Wilbur’s oldest friend, Charlie, tells him frankly during lunch at a trendy restaurant that his constant ambition is a failing. This isn’t a subtle book and it’s not trying to be; it’s urging readers to think about their own choices, wherever they find themselves.
A shaky balance between saccharine and sage will nevertheless appeal to the author’s fans and readers seeking balm.Pub Date: May 26, 2026
ISBN: 9780593833377
Page Count: 304
Publisher: Viking
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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