A tip of the cap to this droll tribute to the freedom that comes from getting out from under the toad.
Don’t let the pigeon snatch the hat!
Alas, it seems young Carol is doomed to go bareheaded—for not only does a pigeon get the rude, demanding live toad that habitually rides atop her billowing brown locks as she rides her bicycle around town, but the ersatz replacement she concocts out of a pickle and two halves of a hard-boiled egg too! Carol’s subsequent discovery that losing the bossy voice in (OK, on) her head leaves her free to go where she wants, say what she wants, and eat what and with whom she wants adds a message about the rewards of cultivating a voice of one’s own…but if the toads are supposed to be metaphors they’re obscure ones, and younger audiences at least will likely be satisfied just enjoying the silly bits. Large red eyeglasses make this White urbanite easy to spot as she wheels or paces through busy streets and crowded shops, past fellow city dwellers who are not only thoroughly diverse of race, age, and dress, but sport a wild profusion of headgear. Sharp-eyed viewers will also find plenty of business going on in the backgrounds and visible through nearly every window in the low-rise buildings. Shapiro may be channeling Mo Willems with the pigeon (and maybe Maira Kalman with the art), but this luxuriant, chapeau-centric appreciation of city living exudes a free-wheeling spirit of its own. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 77% of actual size.)
A tip of the cap to this droll tribute to the freedom that comes from getting out from under the toad. (Picture book. 6-8)Pub Date: May 11, 2021
ISBN: 978-0-7352-6398-7
Page Count: 48
Publisher: Tundra Books
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
Inspiration, shrink wrapped.
From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.
Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.
Inspiration, shrink wrapped. (Picture book. 6-8, adult)Pub Date: March 23, 2021
ISBN: 978-1-250-26949-2
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: April 7, 2021
BOOK REVIEW
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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