Editors Keret and Gavron stress not what makes Tel Aviv unique but what it has in common with other cities: its people’s...
Even in the Holy Land, people find ingenious ways to screw up their own lives, as the latest entry in Akashic’s Noir series proves.
Tel Aviv is a modern city in an ancient land. It has clubs where 20-year-olds like Essy and Danielle, in Julie Fermentto’s “Who’s a Good Boy!,” get drunk, bum cigarettes from strangers and look for love in all the wrong places. It has technology, like the electronic surveillance in Silje Bekeng’s “Swirl” and the computer Gideon Tzuk uses to watch pornography in Gon Ben Ari’s “Clear Recent History,” unaware that it’s watching him back. But its heartbeat is its people, looking to thrive or maybe just survive. In “Sleeping Mask,” by Gadi Taub, Shiri takes a new look at the world’s oldest profession to clear her father’s gambling debts. Srulik, in co-editor Gavron’s “Center,” switches between construction work when it’s sunny and private investigation when it rains. In Yoav Katz’s “The Tour Guide,” an entrepreneur offers tourists a look at famous crime scenes. And Margalit Bloch supplements her meager income after her husband’s death by selling off the possessions of people who died without heirs in Gai Ad’s “The Expendables.” Most touching are the people just looking to connect, like the grocery clerk who makes dinner for a customer in Deakla Keydar’s “Slow Cooking,” the barista who serves mineral water to the Grim Reaper in Alex Epstein’s “Death in Pajamas,” the hashish peddler who falls in love with a Russian thug’s sister in Antonio Ungar’s “Saïd the Good,” or the couple whose lives are turned inside out by their finicky dog in co-editor Keret’s “Allergies.”
Editors Keret and Gavron stress not what makes Tel Aviv unique but what it has in common with other cities: its people’s endless, often fruitless struggle to cash in on a losing hand.Pub Date: Oct. 7, 2014
ISBN: 978-1-61775-315-2
Page Count: 280
Publisher: Akashic
Review Posted Online: Sept. 17, 2014
Kirkus Reviews Issue: Oct. 1, 2014
A satisfying puzzler, one to shelve alongside le Carré, Forsyth, and other masters of foreign intrigue.
“It is a dangerous time to be alive.” Indeed, as this fast-paced thriller by seasoned mysterian Pavone (The Travelers, 2016, etc.) proves.
A siren wails in Paris, a once-rare sound often heard in these times of terror. It’s gone off because a jihadi has strapped a bomb to himself and is standing in front of the Louvre, “in the epicenter of Western civilization,” waiting for his moment. But is he a jihadi? Who’s put him up to this dastardly deed, and why? That’s for Kate Moore, deep-cover CIA agent, “sidewalk-swimming in a sea of expat moms,” to suss out. Kate lives in a shadow world, so hidden away that even her hedge-fund-master husband doesn’t have a clue about what she does: “Dexter has been forced to accept that she’s entitled to her secrets,” Pavone writes, adding, “He’s had plenty of his own.” Indeed, and in the shadowy parallel world of speculative finance, he’s teamed up with a fast-living entrepreneur who wants nothing more than to become superrich and run off with his “assistant-concubine.” Hunter Forsyth is about to announce a huge deal, but suddenly he’s disappeared, whisked away by shadowy people who, by the thin strings of suspense, have something to do with that bomb across town. So does a vengeful young mom, strapped to a useless husband and bent on payback for a long-ago slight. All this is red meat to Kate, who’s tired of the domestic life, no matter how much a sham, and is happier than a clam when “running her network of journalists, bloggers, influencers, as well as drug dealers, thieves, prostitutes, and cops, plus diplomats and soldiers, maitre d’s and concierges and bartenders and shopkeepers.” With all those players, mercenaries, and assorted bad guys thrown into the mix, you just know that the storyline is going to be knotty, and it resolves in a messy spatter of violence that’s trademark Pavone and decidedly not for the squeamish.
A satisfying puzzler, one to shelve alongside le Carré, Forsyth, and other masters of foreign intrigue.Pub Date: May 7, 2019
ISBN: 978-1-5247-6150-9
Page Count: 384
Publisher: Crown
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome...
A preternaturally brainy novel within a novel that’s both a pastiche and a deconstruction of golden-age whodunits.
Magpie Murders, bestselling author Alan Conway’s ninth novel about Greek/German detective Atticus Pünd, kicks off with the funeral of Mary Elizabeth Blakiston, devoted housekeeper to Sir Magnus Pye, who’s been found at the bottom of a steep staircase she’d been vacuuming in Pye Hall, whose every external door was locked from the inside. Her demise has all the signs of an accident until Sir Magnus himself follows her in death, beheaded with a sword customarily displayed with a full suit of armor in Pye Hall. Conway's editor, Susan Ryeland, does her methodical best to figure out which of many guilty secrets Conway has provided the suspects in Saxby-on-Avon—Rev. Robin Osborne and his wife, Henrietta; Mary’s son, Robert, and his fiancee, Joy Sanderling; Joy’s boss, surgeon Emilia Redwing, and her elderly father; antiques dealers Johnny and Gemma Whitehead; Magnus’ twin sister, Clarissa; and Lady Frances Pye and her inevitable lover, investor Jack Dartford—is most likely to conceal a killer, but she’s still undecided when she comes to the end of the manuscript and realizes the last chapter is missing. Since Conway in inconveniently unavailable, Susan, in the second half of the book, attempts to solve the case herself, questioning Conway’s own associates—his sister, Claire; his ex-wife, Melissa; his ex-lover, James Taylor; his neighbor, hedge fund manager John White—and slowly comes to the realization that Conway has cast virtually all of them as fictional avatars in Magpie Murders and that the novel, and indeed Conway’s entire fictional oeuvre, is filled with a mind-boggling variety of games whose solutions cast new light on murders fictional and nonfictional.
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome this wildly inventive homage/update/commentary as the most fiendishly clever puzzle—make that two puzzles—of the year.Pub Date: June 6, 2017
ISBN: 978-0-06-264522-7
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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