Editors Keret and Gavron stress not what makes Tel Aviv unique but what it has in common with other cities: its people’s...
Even in the Holy Land, people find ingenious ways to screw up their own lives, as the latest entry in Akashic’s Noir series proves.
Tel Aviv is a modern city in an ancient land. It has clubs where 20-year-olds like Essy and Danielle, in Julie Fermentto’s “Who’s a Good Boy!,” get drunk, bum cigarettes from strangers and look for love in all the wrong places. It has technology, like the electronic surveillance in Silje Bekeng’s “Swirl” and the computer Gideon Tzuk uses to watch pornography in Gon Ben Ari’s “Clear Recent History,” unaware that it’s watching him back. But its heartbeat is its people, looking to thrive or maybe just survive. In “Sleeping Mask,” by Gadi Taub, Shiri takes a new look at the world’s oldest profession to clear her father’s gambling debts. Srulik, in co-editor Gavron’s “Center,” switches between construction work when it’s sunny and private investigation when it rains. In Yoav Katz’s “The Tour Guide,” an entrepreneur offers tourists a look at famous crime scenes. And Margalit Bloch supplements her meager income after her husband’s death by selling off the possessions of people who died without heirs in Gai Ad’s “The Expendables.” Most touching are the people just looking to connect, like the grocery clerk who makes dinner for a customer in Deakla Keydar’s “Slow Cooking,” the barista who serves mineral water to the Grim Reaper in Alex Epstein’s “Death in Pajamas,” the hashish peddler who falls in love with a Russian thug’s sister in Antonio Ungar’s “Saïd the Good,” or the couple whose lives are turned inside out by their finicky dog in co-editor Keret’s “Allergies.”
Editors Keret and Gavron stress not what makes Tel Aviv unique but what it has in common with other cities: its people’s endless, often fruitless struggle to cash in on a losing hand.Pub Date: Oct. 7, 2014
ISBN: 978-1-61775-315-2
Page Count: 280
Publisher: Akashic
Review Posted Online: Sept. 17, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Virginia Chief Medical Examiner Dr. Kay Scarpetta (Cruel and Unusual, 1993, etc.) has given up smoking and strayed far enough from her high-pressure office to act as a consulting profiler for the FBI, but her nerves are just as frayed at Quantico, especially since her rebellious niece Lucy is a computer-whiz trainee for the Engineering Research Facility down the hall. Scarpetta's latest case is ugly even by her standards: the North Carolina sex murder of Emily Steiner, 11, whose forensics are so contradictory that Scarpetta wants to exhume her for a second autopsy. Before she can do so, North Carolina Bureau investigator Max Ferguson, returning home from Quantico, dies, apparently of autoerotic asphyxia, and his local contact winds up in the hospital with a heart attack. Scarpetta scurries to work out how and why Temple Gault, an apparent serial killer who's the leading suspect in Emily's murder, might have killed Ferguson—and what to make of her gruesome discovery in Ferguson's freezer. No sooner has she finished the grisly re-examination of Emily, than word comes from Quantico that Lucy's sneaked into an unauthorized area after hours and is getting washed out of the program. Scarpetta's two nightmares come together with a crash—a car crash that sends Lucy to the hospital and Scarpetta out to the field to run forensics on her own automobile. As always, tension is ratcheted up, rather unconvincingly, by plots whose interconnection is never quite clear and by the constant friction between Scarpetta and her niece; her sister; her FBI lover, Benton Wesley; her boorish buddy, Capt. Pete Marino; and Emily's mother, with whom Marino is having an affair. But beneath the welter of quarrels and coincidences is as insidious a study of evil as Cornwell has turned in. (Literary Guild main selection)
Pub Date: Oct. 1, 1994
ISBN: 0-684-19597-6
Page Count: 320
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
Although the pace of this intricate tale is necessarily slow, the investigation and its ultimate destination are gripping.
An investigation into an 11-year-old murder unearths some surprising revelations in Inspector Ian Rutledge’s 21st case (The Gate Keeper, 2018, etc.).
Rutledge survived World War I shellshocked and living with the ghostly voice of Hamish, a comrade who died in his arms. When he helps a former soldier find his wife, the grateful man gives him a tip that might help Rutledge find one of the most wanted men in Britain, Alan Barrington, who was accused of murder over a decade earlier and hasn't been seen since. Rutledge's boss gives him the unwelcome job of following up the clue, which begins the inspector's unrelenting search for the truth. Barrington had been accused of engineering a motor crash that killed Blanche Thorne and gravely injured her second husband, Harold Fletcher-Munro. Barrington had been positive that Fletcher-Munro drove Barrington’s friend Mark Thorne to financial ruin and suicide so he could marry Blanche. Rutledge starts out by investigating Barrington’s friends, including his lawyer and estate agent, both of whom have known him for years. When each refuses to confirm or deny that he’s still alive, Rutledge begins to consider the possibility that Mark Thorne did not commit suicide but was murdered by one of the several men who wanted Blanche. Conversations with friends and relatives of the parties involved with Blanche reveal many conflicting opinions. Each snippet Rutledge gleans leads him deeper into a complex maze, but he never considers giving up even when his own wartime demons come to the fore.
Although the pace of this intricate tale is necessarily slow, the investigation and its ultimate destination are gripping.Pub Date: Feb. 5, 2019
ISBN: 978-0-06-267874-4
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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