by Etta James with David Ritz ‧ RELEASE DATE: June 1, 1995
A better-than-average up-from-the-ghetto, as-told-to life story by the R&B diva. Born Jamesetta Hawkins in 1938 in Los Angeles, her remarkable voice won her a featured soloist spot at the local church when she was just a child, and she'd barely hit her teens when she was discovered by L.A. promoter/songwriter Johnny Otis, a Greek man whose soul ``was blacker than the blackest black in Compton.'' Otis gave Etta her stage name and oversaw the recording of her first hit: ``Roll With Me, Henry,'' a double-entendre answer song to the Hank Ballard hit, ``Work With Me, Annie.'' From there, she hit the road, mostly playing small southern towns where she encountered racism at every turn. Her pungent observations about her peers make for amusing reading: Little Richard ``called himself King Richard and would get mad if you didn't recognize his royalty''; James Brown was ``a little dictator, an arrogant lord over the world of his music''; Jackie Wilson ``was incapable of talking about anything but Jackie.'' James also chronicles her regrettable talent for selecting men who used her at best, physically abused her at worst, and an addiction to heroin and other drugs that took her decades to shake. Musically speaking, James's life has also been one of ups and downs. Never quite achieving mainstream success, she moved from pure R&B to light jazz, pop standards, and out-and-out rock 'n' roll in the late '60s and '70s, then returned to form as a funky blues shouter in the '80s. James is well served by coauthor Ritz (Take It Off, Take It All Off, 1993, etc.), who ably captures the singer's feisty tone and does a reasonable job of keeping the narrative moving along. Not exactly an uplifting story, but plenty of sex, drugs, and rock 'n' roll to keep the fans happy. (8 pages b&w photos, not seen) (Author tour)
Pub Date: June 1, 1995
ISBN: 0-679-42328-1
Page Count: 288
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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