Delivered as three talks (April 1983) in Harvard's William E. Massey Sr. Lecture series: a Welty childhood memoir, emphasizing the memories and habits that later helped young Eudora become a writer. The first section centers on listening, on reading and secrets and curiosity—as Welty recalls the voracious reading, the expressive reading-aloud of her mother: "She read Dickens in the spirit in which she would have eloped with him. . . . When she was reading 'Puss in Boots'. . . it was impossible not to know that she distrusted all cats." (So, when Welty writes her stories, she hears every line in an inward voice, a voice that "I have always trusted. . . .") She also remembers the secret pleasures of curiosity and suspense, the cornerstones of the Bible and Jackson's Carnegie Library—where Mrs. Welty said to the forbidding librarian: "Eudora is nine years old and has my permission to read any book she wants from the shelves, children or adult. . . . With the exception of Elsie Dinsmore." Then, in a section called "Learning to See," Welty tells of summer trips to grandparents in West Virginia and Ohio—feeling independence take possession of her on an ancestral mountain-top, feeling the trips themselves as stories ("not only in form, but in their taking on direction, movement, development, change"). And the third section, "Finding a Voice," takes Welty into the outside world: discovering S. J. Perelman at college; writing and taking photos as a WPA publicity agent ("I learned in the doing how ready I had to be. . . . Life doesn't hold still"); encountering mortality; and finding her kind of fiction, her voice, especially in the making of Miss Eckart ("out of my most inward and most deeply feeling self") in "June Recital." Less shapely or focused than Welty's stories, and a little too wispy in its self-portrait—but a welcome, often-eloquent arrival nonetheless, for Welty readers and writing-students in about equal measure.
Pub Date: Feb. 1, 1983
ISBN: 0674639278
Page Count: 132
Publisher: Harvard Univ.
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1983
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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