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THE LAST MAN ON THE MOON

ASTRONAUT EUGENE CERNAN AND AMERICA'S RACE IN SPACE

A hokey autobiography of American astronaut and moon-walker Cernan. Cernan commanded the last of the Apollo missions, number 17, destination Moon, where he and mission geologist Jack Schmitt took a walk. It was a long haul of a career to make those few steps—in all likelihood, a career exquisitely nuanced, serendipitous, and with a few tales to tell, but what gets served up here is Cernan the hayseed patriot. “The Cold War became the crucible in which my military career was forged” will tip readers off early as to where things are headed. Training in California, he experiences an earthquake and interprets it as “God’s way of saying, ‘Welcome to the real world, you nugget.’ “ Vietnam rages in the background, and Cernan makes note of it with such comments as, “the bloody battle of the Ia Drang Valley proved those little guys could fight us to a standstill.” He briefly hits a stride chronicling his space walk on an earlier mission—a truly hellacious, slow-motion episode, in which a welter of little glitches nearly kills him—and his profiles of the other pilots in the space program are easily the most entertaining parts of the book, although they too can be facile (of Walter Schirra, “He was a cold-nerved pilot, by God”). When he steps off the ladder of the lunar module and treads upon the surface of the Moon, he stays true to form—no poetry, just “Oh, my golly.” And questions of tone aside, there is too much lumber passing as prose in these pages (“Roger was a workaholic, and I guess we all were, but off-duty, he had a great sense of humor”), despite the assistance of amanuensis Daavis Even if Cernan is an aw-shucks kind of guy, this much corn makes his story a bland affair. (16 pages b&w photos, not seen) (Author tour)

Pub Date: March 22, 1999

ISBN: 0-312-19906-6

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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