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ON IMMUNITY

AN INOCULATION

Brightly informative, giving readers a sturdy platform from which to conduct their own research and take personal...

National Book Critics Circle Award winner Biss (Notes from No Man’s Land, 2009) investigates the nature of vaccinations, from immunity as myth to the intricate web of the immune system.

The fears surrounding vaccines are not late-breaking news, as the author notes in this literate, rangy foray into the history and consequences of vaccination. In the 18th century—and frankly, little less today—it was understandable to associate vaccination with the work of witches: “The idea…that pus from a sick cow can be scraped into a wound on a person and make that person immune to a deadly disease is almost as hard to believe now as it was in 1796.” Indeed, the idea of poking yourself with a dose of virulent organisms to save yourself from them is not an intuitive leap. Biss ably tracks the progress of immunization: as metaphor—the protective impulse to make our children invulnerable (Achilles, Oedipus); as theory and science (the author provides a superb explanation of herd immunity: “when enough people are vaccinated with even a relatively ineffective vaccine, viruses have trouble moving from host to host and cease to spread”); as a cash cow for big pharma; and as a class issue—the notion of the innocent and the pure being violated by vaccinations, that “people without good living standards need vaccines, whereas vaccines would only clog up the more refined systems of middle-class and upper-class people.” Biss also administers a thoughtful, withering critique to more recent fears of vaccines—the toxins they carry, from mercury to formaldehyde, and accusations of their role in causing autism. The author keeps the debate lively and surprising, touching on Rachel Carson here and “Dr. Bob” there. She also includes her father’s wise counsel, which accommodates the many sides of the topic but arrives at a clear point of view: Vaccinate.

Brightly informative, giving readers a sturdy platform from which to conduct their own research and take personal responsibility.

Pub Date: Sept. 30, 2014

ISBN: 978-1-55597-689-7

Page Count: 192

Publisher: Graywolf

Review Posted Online: July 29, 2014

Kirkus Reviews Issue: July 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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